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THE LANGUAGE OF LIGHT

A horsy soaper.

First-timer Clayton takes a decorous stroll down memory lane.

Young widow Nelly Grace moves with her two sons to Maryland horse country, into an idyllic domain of old money and even older pretensions that the author sets forth, rather naively, as indisputable evidence of impeccable breeding. Here, we are informed, invitations are engraved, wives go by their husbands’ names, and ties are de rigueur at those antediluvian gatherings known as cocktail parties. Since times have changed, occasionally ties are not worn by the younger men (meaning under fifty) if the hostess specifies so on the engraved invitation. The hunt and its attendant festivities are all-important. The reader, whom one assumes has plunked down $25 that—oh, dear—he or she has actually earned, must perforce be allowed a peek into this hermetic world of rich people who “work their lips” before cracking a smile. And so we breathe the fragrance of saddle leather and upscale horse manure and open the barn door to myriad minor mysteries: Why did Nelly’s father, a famous photojournalist, tell her to burn some of his most moving images? Is that old snapshot tucked among them really Emma Crofton, redoubtable matriarch of the horses-and-hounds set, as a young woman? Is it possible that Emma and Daddy—no, of course not. Mother never mentioned it. Nor did Grandmother, during innumerable dinners featuring vegetables in cream sauce and cheese rolls and similar haute WASP cuisine. Perhaps Emma’s son, the dark and dashing Dac, knows more. He’s smitten with Nelly . . . but his Vietnam experiences still shadow his days. Should she believe the rumors of his involvement with Mai, a Vietnamese woman? Did Emma Crofton put a stop to that relationship decades ago, and will she stand in the way of Nelly’s happiness now? But the Big Question for Nelly, who has taken up photography once more, is more profound: Are all her images actually self-portraits, “trying to picture who I was, who I would become?”

A horsy soaper.

Pub Date: Dec. 15, 2003

ISBN: 0-312-31801-4

Page Count: 336

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2003

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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