Compelling, claustrophobic and slightly creepy in a can’t-put-it-down way.
Following the direction taken by her last novel (The End of Everything, 2011, etc.), Edgar winner Abbott again delivers an unsettling look at the inner life of adolescent girls in the guise of a crime story.
The setting is an unnamed, frighteningly familiar town that could be found anywhere in contemporary America. Narrator Addy has been lifelong best friend to Beth, now the powerful captain of Sutton Grove High School’s cheerleading squad. The cheerleaders are popular mean girls, and Beth is the meanest and most popular. Then a new coach, young and pretty Colette French, arrives. She immediately asserts her authority, not only taking away the girls’ cell phones, but also announcing there will be no squad captain. A battle of wills ensues between Coach and Beth. Skilled at manipulation, Coach has the early upper hand. The girls respond to her tight discipline as well as to her perfect hair and her invitations to hang out at her carefully decorated house, where she lives with her workaholic husband and little girl. In particular, Coach befriends Addy, whose relationship with Beth has been strained since a dark episode at cheerleading camp the summer before. Addy tries to balance her increasingly divided loyalties but is gradually pulled into Coach’s orbit. Soon, Addy is spending more time at Coach’s house than anyone else. When Beth and Addy catch Coach having sex in the faculty lounge with a handsome National Guard recruiting officer assigned to the high school, Addy swears Beth to silence. But Beth’s simmering resentment and jealousy concerning Addy’s relationship with Coach have reached a boiling point by the time the officer turns up dead in his apartment. The whodunit aspect surrounding this death pales against the dark sexual and psychological currents that ripple among the girls (and Coach); the question of who is emotional victim versus who is predator becomes murkier and more disturbing than any detective puzzle.
Compelling, claustrophobic and slightly creepy in a can’t-put-it-down way.Pub Date: July 31, 2012
ISBN: 978-0-316-09777-2
Page Count: 304
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: June 1, 2012
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Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...
Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.
It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.Pub Date: July 25, 2005
ISBN: 0-375-40677-8
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
IN THE NEWS
This thriller is taut and fast-paced but lacks compelling protagonists.
Three siblings who have been out of touch for more than 20 years grapple with their unsettling childhoods, but when the youngest inherits the family home, all are drawn back together.
At the age of 25, Libby Jones learns she has inherited a large London house that was held in a trust left to her by her birthparents. When she visits the lawyer, she is shocked to find out that she was put up for adoption when she was 10 months old after her parents died in the house in an apparent suicide pact with an unidentified man and that she has an older brother and sister who were teenagers at the time of their parents' deaths and haven't been seen since. Meanwhile, in alternating narratives, we're introduced to Libby's sister, Lucy Lamb, who's on the verge of homelessness with her two children in the south of France, and her brother, Henry Lamb, who's attempting to recall the last few disturbing years with his parents during which they lost their wealth and were manipulated into letting friends move into their home. These friends included the controlling but charismatic David Thomsen, who moved his own wife and two children into the rooms upstairs. Henry also remembers his painful adolescent confusion as he became wildly infatuated with Phineas, David’s teenage son. Meanwhile, Libby connects with Miller Roe, the journalist who covered the story about her family, and the pair work together to find her brother and sister, determine what happened when she was an infant, and uncover who has recently been staying in the vacant house waiting for Libby to return. As Jewell (Watching You, 2018, etc.) moves back and forth from the past to the present, the narratives move swiftly toward convergence in her signature style, yet with the exception of Lucy’s story, little suspense is built up and the twists can’t quite make up for the lack of deep characters and emotionally weighty moments.
This thriller is taut and fast-paced but lacks compelling protagonists.Pub Date: Nov. 5, 2019
ISBN: 978-1-5011-9010-0
Page Count: 320
Publisher: Atria
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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