Abbott is the queen of charged atmospheres, where a restrained surface often hides a torrent of deception.
Three sisters suffering from Detroit’s auto industry collapse are drawn to a shiny new business opportunity that turns sinister.
Abbott’s latest opens with a sense of foreboding—a feeling synonymous with Abbott and one that only grows as the hardships of three suburban Detroit women come to light. The Bishop sisters—Debra, Pam, and Harper—are resilient, but they rely on one another after the collapse of the auto industry creates a trickle-down effect of loss in their family. First, their father loses his job and dies not long after. Pam marries rich and loses it all in a divorce. Debra, the eldest, loses her strong facade as the stress of medical debt from her husband’s cancer wears her down. And Harper feels her sense of control unraveling as a secret debt bears down on her and threatens to dismantle her relationships. When Pam’s son leaves for college—“Somehow, Pam had gotten him out”—she feels proud but unmoored. How will she pay for tuition? Harper is very aware of Pam’s struggles, so when she returns from a short-term job in another town and finds her sister beaming from the front seat of a new car, things don’t add up. Pam tells Harper about the Wheel, a group of women helping women. Harper at first sees the Wheel as the pyramid scheme it is, but when she shares her concerns with Debra, she finds Debra is also drinking the wine-spiked Kool-Aid. Unwilling to tell her sisters the grim nature of her debts—“Secrets came naturally to her. She’d kept them all her life”—Harper soon finds herself deep in the Wheel, recruiting other desperate women with the allure of sisterhood and fortune. “Money isn’t about money. It’s about security, freedom, independence, a promise of wholeness.” Before long, the champagne bubbles start to pop, and Pam, the most popular woman of the Wheel, starts to feel the pressure, and with it, some very warranted paranoia. Harper outlines her sister’s downfall in a detached tone that reads as coming from a place of authentic trauma—she remembers the small details, her observations methodical—but it causes the mounting pressure to fizzle out with an impression of inevitability.
Abbott is the queen of charged atmospheres, where a restrained surface often hides a torrent of deception.Pub Date: June 24, 2025
ISBN: 9780593084960
Page Count: 368
Publisher: Putnam
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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