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EL DORADO DRIVE

Abbott is the queen of charged atmospheres, where a restrained surface often hides a torrent of deception.

Three sisters suffering from Detroit’s auto industry collapse are drawn to a shiny new business opportunity that turns sinister.

Abbott’s latest opens with a sense of foreboding—a feeling synonymous with Abbott and one that only grows as the hardships of three suburban Detroit women come to light. The Bishop sisters—Debra, Pam, and Harper—are resilient, but they rely on one another after the collapse of the auto industry creates a trickle-down effect of loss in their family. First, their father loses his job and dies not long after. Pam marries rich and loses it all in a divorce. Debra, the eldest, loses her strong facade as the stress of medical debt from her husband’s cancer wears her down. And Harper feels her sense of control unraveling as a secret debt bears down on her and threatens to dismantle her relationships. When Pam’s son leaves for college—“Somehow, Pam had gotten him out”—she feels proud but unmoored. How will she pay for tuition? Harper is very aware of Pam’s struggles, so when she returns from a short-term job in another town and finds her sister beaming from the front seat of a new car, things don’t add up. Pam tells Harper about the Wheel, a group of women helping women. Harper at first sees the Wheel as the pyramid scheme it is, but when she shares her concerns with Debra, she finds Debra is also drinking the wine-spiked Kool-Aid. Unwilling to tell her sisters the grim nature of her debts—“Secrets came naturally to her. She’d kept them all her life”—Harper soon finds herself deep in the Wheel, recruiting other desperate women with the allure of sisterhood and fortune. “Money isn’t about money. It’s about security, freedom, independence, a promise of wholeness.” Before long, the champagne bubbles start to pop, and Pam, the most popular woman of the Wheel, starts to feel the pressure, and with it, some very warranted paranoia. Harper outlines her sister’s downfall in a detached tone that reads as coming from a place of authentic trauma—she remembers the small details, her observations methodical—but it causes the mounting pressure to fizzle out with an impression of inevitability.

Abbott is the queen of charged atmospheres, where a restrained surface often hides a torrent of deception.

Pub Date: June 24, 2025

ISBN: 9780593084960

Page Count: 368

Publisher: Putnam

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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  • New York Times Bestseller

Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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AN INSIDE JOB

A rather flat entry in a generally excellent series.

The 25th novel featuring Silva’s legendary protagonist.

During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.

A rather flat entry in a generally excellent series.

Pub Date: July 15, 2025

ISBN: 9780063384217

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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