In Abbott’s deft hands, friendship is fused to rivalry, and ambition to fear, with an unsettling level of believability. It...
A rising star in a famous laboratory can track her success back to the one person in her life she’d like to forget.
As a teenager, Kit Owens is fine with doing just enough to set herself up for a comfortable life. She never had a compelling reason to push herself until Diane Fleming quietly stepped into her life. The new girl with a troubled past, Diane seems to care only about achieving perfection, and she doesn’t understand why Kit wouldn’t want the same. The two become each other’s motivation to do better, go harder, working toward the common goal of a science scholarship funded by a doctor famous for her research on taboo disorders related to the female sex. Until one night, when Diane shares something with Kit that is terrible enough—“the worst thing anyone’s ever told me”—to erase any bond they have. More than 10 years later, Kit is the hardest working member of Dr. Severin’s lab, angling for a coveted spot on the new premenstrual dysphoric disorder research team. Her lab mates, all men, are convinced she has it in the bag. But then Dr. Severin drops the bomb that she’s poached a stellar researcher from Harvard who will join the team immediately. That person is Diane. Kit has buried the memory of her old friend under years of pipetting, thousands of precisely cut samples, and days bent under a fume hood: “After a bad dream, a Diane dream, I avoid the mirror…certain that if I looked, she might be there.” Who could truly forget Diane? And when she walks through the lab door the next day, “everything begins again.” Abbott (You Will Know Me, 2016, etc.) has made the dark desires and secrets of the female psyche the life force of her novels. Under the surface of Kit and Diane’s research on women plagued by an “unbearable push of feelings, feelings gone out of control…a wretched curse” lives their own shared curse, something strong enough to tip the balance of their carefully regimented, chemical-clean world.
In Abbott’s deft hands, friendship is fused to rivalry, and ambition to fear, with an unsettling level of believability. It will take more than a cold shower to still the blood thumping in your ears when you finish this.Pub Date: July 17, 2018
ISBN: 978-0-316-54718-5
Page Count: 352
Publisher: Little, Brown
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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