Dystopian clichés rife with violence and trite romance.
Civilization has been destroyed, but Grace and Hayden have found each other.
Years after a massive war, a formerly thriving metropolis is in rubble, its remaining goods guarded by violent Brutes. Scattered outside the city are villages of survivors who play a constant game of raid or be raided, kill or be killed. None of them have learned to produce much, so they obtain alcohol, fuel, and munitions through raids. On a scavenging trip, Hayden, the leader of the deadly Blackwing camp, saves and ultimately kidnaps the wounded, beautiful Grace, never expecting that that they are going to fall for each other. The plot unfolds in alternating Grace-Hayden perspectives and requires strenuous suspension of disbelief; for example, medical supplies still exist in rather ample supply in the decimated city. Raid scenes are interspersed with make-out sessions between Grace and Hayden and very explicit hand jobs that never lead to actual intercourse. The narrative dabbles with erotic dominance, as when the two physically tussle: “My cheek pushed against the rough bark while his hands gripped my wrists against my lower back…I shivered when his lips tickled against my ear when he spoke, and I hated myself for liking it.” Hayden and Grace both embody a combination of cardboard-cutout stoicism and vulnerability. All characters are white.
Dystopian clichés rife with violence and trite romance. (Dystopian romance. 15-18)Pub Date: March 19, 2019
ISBN: 978-1-4091-8384-6
Page Count: 400
Publisher: Orion/Trafalgar
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Readable but not remarkable, yet another grimdark political fantasy.
Prison life gets even more punishing in this fantasy series opener.
Seventeen-year-old Kiva Meridan is 10 years into a life sentence at “death prison” Zalindov. She’s succeeded her late father as the titular prison healer, dosing patients with herbs and possessing extensive, modern medical knowledge of bacteria, viruses, and immune systems. Aside from cheerful innocent/MacGuffin Tipp, Kiva befriends few fellow prisoners and even fewer guards, most of whom are harshly abusive. While Naari, a new female guard, and Jaren, a handsome new prisoner, chip away at her frozen facade, Kiva volunteers to undertake an epic Trial by Ordeal on behalf of the Rebel Queen, the newest political prisoner. Under pressure to save her friends, the Rebel Queen, and herself—and losing hope of rescue or release—Kiva faces four elemental magic Trials sans innate talent. In between grueling, gruesome spectacles, Kiva also acts as an epidemiologist, tracking down an illness plaguing the prisoners. The claustrophobic setting—evoking the horrors of a Siberian gulag or Nazi concentration camp—exudes dread and brutality; levity and lightness are minimal. A predictable romance ensues, and generic fantasy clichés abound—royals and rebels, lost heirs, vague magic—hastily concluded with a trite plot twist and setup for a sequel. Most main characters read as White; there is a diversity of skin tones in this fantasy world.
Readable but not remarkable, yet another grimdark political fantasy. (map) (Fantasy. 15-adult)Pub Date: April 13, 2021
ISBN: 978-0-358-43455-9
Page Count: 416
Publisher: HMH Books
Review Posted Online: Jan. 25, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
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