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INSECTS ARE MY LIFE

A perky tale of a girl, Amanda Frankenstein (yes, Frankenstein) who persists in an unpopular fascination with bugs. This sweet-natured book is a happy marriage of pastel-toned, somewhat cartoony art with nicely paced, quietly humorous (though a bit longish) text. Amanda likes to observe live insects; she collects dead ones. She dreams of bugs; she draws bugs. She tries to confuse bats; she protects ants. She thoughtfully releases her brother's fireflies; she carefully steps around spider webs (this is a curious custom, since spiders are not technically insects and, in fact, eat bugs). Already a family pariah, Amanda further invites ostracism when she wears an ``Amanda Frankenstein: Friend of Bugs'' T-shirt on the first day of school. Even boys (McDonald is conscientiously breaking stereotypes here) are put off by her mania for insects. All's well that ends well. Happily, in school she finds a soul mate, an equally single-minded African-American girl, who, with similar dedication asserts that ``Reptiles are my life!'' Predictable, but gratifying. (Picture book. 4-7)

Pub Date: March 1, 1995

ISBN: 0-531-06874-9

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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BEAUTIFUL, WONDERFUL, STRONG LITTLE ME!

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...

This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.

Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.

Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)

Pub Date: Sept. 14, 2018

ISBN: 978-1-63233-170-0

Page Count: 32

Publisher: Eifrig

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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IF YOU LAUGH, I'M STARTING THIS BOOK OVER

Desperation confused for hysterics.

Harris’ latest makes an urgent plea for somber reflection.

“Stop! Stop!! Stop!!!” Right from the get-go, readers are presented with three rules for reading this book (“Don’t look at this book!” “Do look at your listener!” “Get your listener to look at you!”). But the true lesson is in the title itself: If anyone listening to this book laughs, you have to start it all over. Challenge accepted? Good. Sheer frenetic energy propels what passes for a narrative as the book uses every trick up its sleeve to give kids the giggles. Silly names, ridiculous premises, and kooky art combine, all attempting some level of hilarity. Bloch’s art provides a visual cacophony of collaged elements, all jostling for the audience’s attention. Heavily influenced by similar fourth wall–busting titles like The Stinky Cheese Man and Other Fairly Stupid Tales (1992) by Jon Scieszka, illustrated by Lane Smith, and the more contemporary The Book With No Pictures (2014) by B.J. Novak, these attempts to win over readers and make them laugh will result in less giggles than one might imagine. In the end, the ultimate success of this book may rest less on the art or text and more on the strength of the reader’s presentation. (This book was reviewed digitally.)

Desperation confused for hysterics. (Picture book. 4-7)

Pub Date: Sept. 27, 2022

ISBN: 978-0-316-42488-2

Page Count: 40

Publisher: Little, Brown

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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