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THE HINKY PINK

AN OLD TALE

Extraordinary seamstress Anabel wants to work for a true princess, one with beautiful features and a name ending in “ella.” When Princess Isabella Caramella Gorgonzola soils her dress before the ball, she gives Anabel a week to create a designer gown while working in the princess’s tower. Each night, an unknown creature pinches the seamstress and interrupts her slumber. Nursemaid Mag advises the girl that the Hinky-Pink goblin causes her unrest and will only end her torment—and give her the chance to finish the dress—if Anabel makes the creature a bed of its own, but each attempt dramatically fails. McDonald’s storytelling excels through flavorful language, controlled pacing and a delightful conclusion. Floca displays the charm of Old World Florence through soft watercolor-and-ink illustrations that fill the pages, capturing the city’s world-renowned landmarks. His delicate lines, full of vitality, enhance the retelling of this tale, which was inspired by Margery Bailey’s 1940 story, The Bed Just So. Fairy-tale enthusiasts will delight in this fanciful story. (Fiction. 5-8)

Pub Date: Sept. 16, 2008

ISBN: 978-0-689-87588-5

Page Count: 48

Publisher: Richard Jackson/Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2008

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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