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THE PROBLEM WITH EVERYTHING

MY JOURNEY THROUGH THE NEW CULTURE WARS

Sharp, brazen, and undeniably controversial.

A sweeping critique of the “wokescenti.”

Award-winning essayist, memoirist, and novelist Daum (The Unspeakable: And Other Subjects of Discussion, 2014, etc.), recipient of Guggenheim and National Endowment for the Arts fellowships, takes on fourth-wave feminism, victimhood, identity politics, #MeToo, social media, ideological warfare on college campuses, and assorted other irritants in a culture that is “effectively mentally ill.” Social media, asserts the author, creates an echo chamber where people lie to one another and eagerly wait for friends to lie back. “I am convinced,” she writes, “the culture is effectively being held hostage by its own hyperbole. So enthralled with our outrage at the extremes, we’ve forgotten that most of the world exists in the mostly unobjectionable middle.” Examining displays of outrage as public performance, she writes that “the search for grievance has become a kind of political obligation, an activist gesture.” Accusations of sexism, sexual harassment, or assault, she believes, foster women’s image of themselves as victims rather than individuals “capable of making mistakes”; in making such accusations, women “literally hand men their own power.” Rather than see the gender wage gap as evidence of sexism, Daum suggests “that there are biological differences between male and female brains that can influence women’s professional decisions.” She also criticizes “the left-leaning chatterati” who praised Ta-Nehisi Coates’ Between the World and Me as engaging in “self-congratulatory reverence,” wondering “if my white friends and colleagues who venerated Coates actually liked his work or just liked the idea of liking it.” This suspicion of other people’s authenticity underlies much of the book: Daum admits that when she was an undergraduate in the midst of student uprisings, she “often felt like I was impersonating a college student…I had a hard time believing other people were actually for real.” Now middle-aged, divorced, childless by choice, and feeling increasingly marginal, the author is dismayed by those whose energetic engagement with social and cultural problems fuels “the exquisite lie of our own relevance.”

Sharp, brazen, and undeniably controversial.

Pub Date: Oct. 22, 2019

ISBN: 978-1-982129-33-0

Page Count: 256

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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