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THE SLIPPERY YEAR

A MEDITATION ON HAPPILY EVER AFTER

Refreshing and sassy, with more than a dash of tenderness thrown in.

A young-adult author reflects on the realities of middle age.

At 44, Gideon (Pucker, 2006, etc.) looked at the various roles she’d assumed as the younger twin in a family of four girls, wife of a loving husband and stay-at-home mother of a sweet nine-year-old boy, and found herself guiltily asking, “Is this all there is?” The author’s memoir, a hilariously probing account of personal growth and stasis, is Gideon’s answer to that existential query. After her husband purchased a souped-up 4x4 van complete with a “cattle-guard contraption that must have been handy when plowing through herds of wildebeests in the Serengeti but is presumably unnecessary in the suburbs,” Gideon began an aggressive inventory of her life. Looking first at her marriage, she quickly determined that perhaps she was the one in crisis, noting how her husband had maintained something of the spontaneity of their younger years. In their 20s, she writes, “Our needs were simple. We lived dangerously, which is to say we were up for anything. We didn’t think about what things cost. We thought only about the cost of not doing things. Which is exactly why—I suddenly understand—my husband has bought the van for us.” Such epiphanies abound in Gideon’s account, and the author takes those small lessons and effectively analyzes them in ways useful to a wide readership. Women in particular will appreciate her musings on motherhood—“There comes a time in every mother’s life when it becomes very clear that your child is a much better person than you are”—and the healthy dose of self-loathing that informs the author’s sarcasm and warm sense of irony as she reckons with her burgeoning eccentricities.

Refreshing and sassy, with more than a dash of tenderness thrown in.

Pub Date: Aug. 4, 2009

ISBN: 978-0-307-27067-2

Page Count: 224

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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