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KATHARINE LEE BATES

FROM SEA TO SHINING SEA

A biography that skillfully sets Bates’ work against the backdrop of the times in which she lived.

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  • Kirkus Reviews'
    Best Books Of 2017

A biography of the multitalented woman who wrote the words to “America the Beautiful.”

Katharine Lee Bates carved herself a place in America’s cultural history by penning the majestic poem, first published in 1895, that later became the lyrics to the iconic anthem “America the Beautiful.” But as author Ponder (Hawthorne’s Early Narrative Art, 1991) convincingly shows in her similarly majestic account of Bates’ life, this poem was just one of many achievements of its creator—a woman who, through her work as a writer, teacher, and social activist, set an example of female independence in late-19th-century America. Bates was raised by her mother, as her father died within weeks of her birth in 1859. She first experienced “women’s collective power” when the widows of her hometown on Cape Cod, Massachusetts, mourned the slaying of President Abraham Lincoln by draping their black shawls around the local church to make up for an insufficient supply of mourning cloth. She took advantage of opportunities afforded women after the Civil War, graduating from Wellesley College and going on to teach literature there after studying at Oxford University in England. But she still faced blatant prejudice, as personified by a Harvard president who, at an 1899 Wellesley event, questioned why women should go to college when, in his opinion, they weren’t as intelligent as men. Ponder, a lucid writer, is particularly effective at showing how Bates’ tumultuous environment, as America transitioned from a largely rural to an industrial society, inspired her poetry and novels. She points out that the words to “America the Beautiful,” for example, percolated in Bates’ mind amid the depression of 1893 and a visit to see the glories of the Colorado Rockies. For Bates, the famous phrase “sea to shining sea” expressed the “ideal of brotherhood” that she believed would see America through the crisis. As Ponder writes, “Knowing what it was like to be marginalized and silenced, she wrote for those who had no voice, and she gave Americans a fresh and inspiring ideal of their country as an inclusive community.”

A biography that skillfully sets Bates’ work against the backdrop of the times in which she lived.

Pub Date: Aug. 8, 2017

ISBN: 978-1-941478-48-6

Page Count: 374

Publisher: Windy City Publishers

Review Posted Online: Oct. 4, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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