Plot bobbles aside, a necessary read for Hinterland fans—and who isn’t? (Fantasy. 16-adult)
A dark fantasy sequel asks whether characters who flee their stories still have a chance for a happy ending.
Once upon a time she was Alice-Three-Times, a vengeful princess in a grim fairy-tale world. Now she’s just Alice, trying to be human in New York City even as her escape triggers a mass exodus from the Hinterland. Ellery Finch, the schoolmate who helped free her, is growing weary of his travels through alternate dimensions, finding his thoughts turning back to home—and Alice. Meanwhile, someone is murdering ex-Stories in a very Alice-ish way….This follow-up to the astonishing The Hazel Wood (2018) displays the same lush prose, dizzying imagination, and macabre sensibilities (along with the grisly body count). Evocative details limn exotic fairylands and gritty New York as equally magical. Personalities are more approachable: blonde, white Alice is less rage-fueled than filled with confusion, frustration, and longing; brown-skinned Finch has grown beyond his vacillating geekiness to courage and confidence. Alternating between Alice’s first-person narration and Finch’s third-person perspective, the twin plots don’t intersect until the surreal, shattering climax; but since the romantic yearning that drives both protagonists was scarcely hinted in the first book, it never becomes convincing here. Still, they make a formidable team.
Plot bobbles aside, a necessary read for Hinterland fans—and who isn’t? (Fantasy. 16-adult)Pub Date: Jan. 7, 2020
ISBN: 978-1-250-24607-3
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Oct. 24, 2019
Kirkus Reviews Issue: Nov. 15, 2019
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for...
A glimpse of the characters dealing with rebuilding and fallout after A Court of Wings and Ruin (2017).
In a change of pace from the usual epic struggle against powerful forces, this slimmer-than-usual volume follows the cast during the festive Winter Solstice holiday. Nods to trouble on the horizon (dissent in the Illyrian ranks, Fae courts eyeing for expansion, and a politically fraught situation among humans) remain distant, the lack of progress at times resulting in frustrating repetition. Cassian’s and Mor’s backstories are explored, and prickly Amren’s low-key relationship storyline is supplemented by her High Fae adjustments (including bodily humor). While Elain is becoming more comfortable, she still wants nothing to do with Lucien (who feels like an outsider nearly everywhere and has his hands full with a self-destructive Tamlin). Severely struggling Nesta self-medicates through alcohol, meaningless sex, pushing everyone away, and finding every last seedy corner of the otherwise utopian Velaris. While Rhys handles politics, Feyre’s storyline revolves around Solstice shopping and art’s potential for healing trauma—when the lovers aren’t telepathically sexting or craving each other. Aside from occasional minor characters, most of the inhuman cast seem white. Several plotlines are predictably resolved.
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for readers who’d prefer downtime with the characters over high stakes. (map, preview of next title) (Fantasy. 16-adult)Pub Date: May 1, 2018
ISBN: 978-1-68119-631-2
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
SEEN & HEARD
SEEN & HEARD
IN THE NEWS
Exciting concept; underwhelming execution.
Once a year in the city-island of Caldella, the powerful Witch Queen leaves her Water Palace to find her true love, whom she must drown to appease the dark tide of the ever hungry ocean.
Thomas Lin is the only boy who’s ever escaped—by convincing the last Witch Queen to drown herself instead. Ever since then, her sister, Eva, who is the new Witch Queen, has been unable to appease the dark tide—she’s felt nothing for the boys she’s sacrificed. When Thomas is chosen a second time, Lina, a town girl with a crush, decides to rescue Thomas from the Water Palace and volunteer as sacrifice to make sure both Thomas and her own brother stay safe. As Lina and Eva spend more time together, they realize that they have a surprising amount in common: their love for their siblings, their desperation to change the sacrificial system, and their desire for one another. The close third-person narration is focalized alternately through Lina and Eva, and although Lina’s perspective provides greater depth, the narrative voice for each is removed, with more telling than showing. Characters are racially ambiguous but often implied through skin tone to be nonwhite. Diverse sexualities and gender expressions are also implied, but heteroromanticism is disappointingly the default.
Exciting concept; underwhelming execution. (Fantasy. 16-18)Pub Date: Aug. 4, 2020
ISBN: 978-1-7282-0998-2
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: March 10, 2020
Kirkus Reviews Issue: April 1, 2020
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