Dark, demanding, and delicious.

TALES FROM THE HINTERLAND

From the Hazel Wood series , Vol. 2.5

Twelve pitch-black original fairy tales form the backbone to an acclaimed fantasy series.

Fans of the Hazel Wood series know of Althea Proserpine’s cult anthology, the original stories whose characters escaped into our world. Featuring, among others, Hansa the Traveler, Twice-Killed Katherine, and, of course, Alice-Three-Times (whose tale’s much-speculated-about ending falls oddly flat), the stories feel both familiar—the first was already included in its entirety in the series opener and several others, in abbreviated and altered form—and revelatory, unfolding in all their rich, lush, macabre, and grisly glory. Despite their vaguely preindustrial Western European setting, these are anything but traditional folktales. While every protagonist is female, the themes are not explicitly feminist; rather, the overwhelming tone is savage, angry, bitter, and cruel. Most of the leads do achieve a vicious and vengeful sort of triumph, but only one even approaches a conventional happy ending. Relationships (exclusively heterosexual) are only an excuse for male lust, domination, and manipulation. Parents (especially mothers) are mostly neglectful, smothering, abusive…or dead. Death, often horrific death, is a constant presence, even as a literal character in several stories. Although this collection could well be read on its own, the unrelenting grimness can be wearying; it may be best appreciated for the context and commentary it offers for the preceding volumes. Tierney’s bold illustrations, many featuring stark, contrasting tones of red, black, and white, accentuate the mood. There is some diversity in skin tone.

Dark, demanding, and delicious. (Fairy tales. 16-18)

Pub Date: Jan. 12, 2021

ISBN: 978-1-250-30272-4

Page Count: 240

Publisher: Flatiron Books

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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A thrilling romance that could use more even pacing.

THE STARS WE STEAL

For the second time in her life, Leo must choose between her family and true love.

Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.

A thrilling romance that could use more even pacing. (Science fiction. 16-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-328-94894-6

Page Count: 400

Publisher: HMH Books

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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Not everybody lives, and certainly not “happily ever after”—but within all the grisly darkness, Alice’s fierce integrity and...

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THE HAZEL WOOD

From the Hazel Wood series , Vol. 1

A ferocious young woman is drawn into her grandmother’s sinister fairy-tale realm in this pitch-black fantasy debut.

Once upon a time, Althea Proserpine achieved a cult celebrity with Tales from the Hinterland, a slim volume of dark, feminist fairy tales, but Alice has never met her reclusive grandmother nor visited her eponymous estate. Instead, she has spent her entire 17 years on the run from persistent bad luck, relying only on her mother, Ella. Now Althea is dead and Ella has been kidnapped, and the Hinterland seems determined to claim Alice as well. The Hinterland—and the Stories that animate it—appear as simultaneously wondrous and horrific, dreamlike and bloody, lyrical and creepy, exquisitely haunting and casually, brutally cruel. White, petite, and princess-pretty Alice is a difficult heroine to like in her stormy (and frequently profane) narration, larded with pop-culture and children’s-literature references and sprinkled with wry humor; her deceptive fragility conceals a scary toughness, icy hostility, and simmering rage. Despite her tentative friendship (and maybe more) with Ellery Finch, a wealthy biracial, brown-skinned geek for all things Althea Proserpine, any hints of romance are negligible compared to the powerful relationships among women: mothers and daughters, sisters and strangers, spinner and stories; ties of support and exploitation and love and liberation.

Not everybody lives, and certainly not “happily ever after”—but within all the grisly darkness, Alice’s fierce integrity and hard-won self-knowledge shine unquenched. (Fantasy. 16-adult)

Pub Date: Jan. 30, 2018

ISBN: 978-1-250-14790-5

Page Count: 368

Publisher: Flatiron Books

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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