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THE FLIGHT OF THE SUNFLOWER

Language and metaphor equally strained, this overwrought tale of a seed’s roundabout journey to a “beautiful home and miraculous life” not far from its mother is likely to seem more silly than inspiring to its intended audience, while just leaving younger readers confused. A “gentle breeze” (or a “mighty wind,” depending on the page) plucks a sunflower seed from its mother, carries it past a field, a garden, a desert (where it converses with “granules” of sand), the ocean, and into clouds before abruptly reversing course, conveying it back over the same territory. Cautioning, “you cannot live in your mother’s shadow forever. She has given you her strength and her beauty and her power. Now you must take those things and learn to grow strong on your own,” the wind drops the seed near its starting point. Takvorian illustrates the seed’s sojourn with spattered, impressionistic compositions in dark orange and green, effectively representing the wind with combed swirls of white but, perhaps wisely, leaving readers to visualize clouds and sand waving goodbye to the departing seed. Other seeds make journeys that are more plausible in tales like Eric Carle’s Tiny Seed (1987); for readers about to leave the nest and contemplating the possibilities in their own immediate futures, this is unlikely to be one of the Places They’ll Go. (Picture book. 6-8)

Pub Date: Oct. 1, 2002

ISBN: 0-9700863-0-X

Page Count: 32

Publisher: All About Kids

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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