Strong female characters and social issues augment this medical thriller.
An ER doc seeks a cure for a virus seemingly targeting African-Americans, which puts her and her infant daughter at risk in Crickard’s (Another Five Patients, 2018, etc.) thriller.
Dr. Sara Sullivan is understandably worried about a rapidly spreading viral illness. The majority of those infected by the virus, called Labrador, have been in D.C., where Sara lives and works. Over 90 percent of African-Americans infected have died, and Sara, who’s biracial (her estranged father was black), and her baby daughter, Elyse, are in danger. After Sara treats patients possibly suffering from Labrador at George Washington University Hospital, the Department of Health forces her into a “voluntary quarantine,” though she’s asymptomatic. Sara believes there’s a cure, which she’s determined to find, especially when it’s clear millions may soon be infected, including Elyse, who’s showing signs of the illness. In fact, someone, rather suspiciously, has had a Labrador vaccine in development for years, well before most Americans had even heard of the virus. Meanwhile, racial tensions in the States are rising: Blacks think whites are getting preferential medical treatment, while whites assume the disease originated in Africa. Sara’s hunt for a cure ultimately exposes a sinister coverup that entails sabotage, kidnapping, and murder. While Crickard adeptly delivers thriller components (Sara dodges authorities after she escapes quarantine), she also shrewdly addresses serious issues such as racism and sexism. For example, Sara is a resilient protagonist who has endured racist comments all her life and encounters numerous patronizing men throughout the story. Even when her cop fiance (and Elyse’s dad), Marty Thompson, uses a pet name, “sweetie,” it’s somewhat condescending. While other similarly arrogant male characters are interchangeable, the women, in contrast, are memorable. For example, graduate research student Veronica Laughlin fearlessly says to a police officer, “Didn’t your mama teach you it’s not polite to point?” The author retains an energetic plot with Sara on the lam and provides a surprise or two as villains and motives come to light.
Strong female characters and social issues augment this medical thriller.Pub Date: Dec. 4, 2018
ISBN: 978-0-9992059-2-1
Page Count: 346
Publisher: Time Tunnel Media
Review Posted Online: Dec. 3, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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