An engaging novel written by women, about women whose flaws are as appealing as their strengths.
An exotic vacation turns into a nightmare in Frisbee and Farnsworth’s novel.
Lily, Grace, Penn, Deedee, Cat and Amelia have been friends for over 12 years, leaning on each other for support as they weather marital woes and challenging children. Their husbands—golfing buddies who initially introduced the wives—are all flawed in their own unique yet unappealing ways. The men are inattentive, cheaters, liars, self-absorbed, immature or alcoholics. The wives are largely long-suffering traditionalists who outwardly accept the lot they have been given and attempt to maintain their marriages by placating their husbands. Internally, the women struggle with their own unhappiness and insecurities. Yet the lives they work so hard to maintain begin to crumble during a spontaneous trip to the Isle of Capri, Italy. Lily, a fashion designer, can’t turn down an exciting professional opportunity and invites her friends to accompany her to Italy. They depart for Capri, anticipating a relaxing escape from the responsibilities of daily life. Despite high expectations, their vacation quickly turns into a battleground as the women square off and friendships begin to fracture. Each woman is forced to face the reality of her unhappy home life, and rather than pull together, the friends make moral choices whose consequences drive them further apart. Frisbee and Farnsworth use the lovely Isle of Capri as a backdrop for their story of friendship, offering a gorgeous villa and stunning scenery to complement the beautiful women. Yet the authors deliver a surprise narrative; rather than settling for light and frothy chick lit, they delve into the difficult dynamics of women’s friendships, tackling the costs of unhappiness and unrealized expectations. Set in the late 1970s, the stories of these six friends represent a changing culture for women that begins to embrace independence instead of settling for the roles of unhappy wife and frustrated mother. The story is narrated from multiple perspectives, and Frisbee and Farnsworth provide a diverse set of characters whose interactions are entirely believable while the changing dynamic of their friendships reflect reality.
An engaging novel written by women, about women whose flaws are as appealing as their strengths.Pub Date: Aug. 7, 2013
ISBN: 978-1482511406
Page Count: 326
Publisher: CreateSpace
Review Posted Online: Oct. 21, 2013
Kirkus Reviews Issue: Nov. 15, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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