A gauzy but thorough exploration of a prestige-TV standard-bearer.
A celebration of all things West Wing from a pair of former cast members.
As the Trump presidency battered the norms of American democracy and Covid-19 forced citizens to nest indoors, the White House TV drama, which originally aired from 1999 to 2006, enjoyed a second life as a tribute to steady leadership. Fitzgerald and McCormack, who played assistant press secretary and deputy national security adviser, respectively, strive to evoke the show’s upbeat, pro–public service spirit throughout this book, dishing anecdotes about the series and spotlighting the charitable endeavors of its cast and crew. The authors gained excellent access to key figures on the show, from creator Aaron Sorkin (who wrote the foreword) to stars like Martin Sheen, Rob Lowe, and Alison Janney, down to the Steadicam operator (a crucial role on a program infamous for its “walk-and-talks”). There’s plenty of insider trivia—e.g., Eugene Levy was once a candidate to play grumpy communications director Toby, Hal Holbrook was in the running to play President Jed Bartlet, and Sheen financed regular cast-and-crew trips to Las Vegas. The authors dedicate chapters to a handful of episodes especially beloved by the show’s fans (aka Wingnuts) and explore the show’s legacy since its end among creative and political communities. (Lin-Manuel Miranda notes cases where he unconsciously borrowed West Wing patter for Hamilton.) The book is mainly hagiography, with participants celebrating the close-knit family vibe on the set and lamenting low points like the death of John Spencer, who played Bartlet’s chief of staff; touchy subjects, like Lowe’s departure over salary, are handled gently, almost apologetically. A nonpartisan history of the show remains to be written, but this is satisfying on its own terms, determinedly refusing to see “government” as a four-letter word.
A gauzy but thorough exploration of a prestige-TV standard-bearer.Pub Date: Aug. 13, 2024
ISBN: 9780593184547
Page Count: 608
Publisher: Dutton
Review Posted Online: June 12, 2024
Kirkus Reviews Issue: July 15, 2024
An old-school Hollywood tell-all with all the trimmings, traumas, and bold-face names.
A great American character claims her double legacy of genius and addiction.
Calling herself “the original nepo-baby,” the daughter of Judy Garland and Vincente Minnelli offers a raw and revealing look at a life shaped by fame and personal struggle. At the heart of Minnelli’s story is her fraught relationship with her volatile mother. While stressing that “our love was what mattered,” life with Judy was no picnic. The night before her fifth birthday, she accidentally kicked her mother in the head while watching TV, permanently scarred by lesson that “if Mama got angry, she was the most terrifying person in my life.” Garland’s addictions made her unstable and unreliable, forcing her daughter to take on adult responsibilities at a very young age. A veteran performer by the time she was in double digits, she won the first star in her EGOT crown (Emmy, Grammy, Oscar, and Tony awards) at age 19 for her role in the musical Flora the Red Menace. This was also her first work with John Kander and Fred Ebb, musical collaborators in her most iconic successes: Cabaret, Liza With a “Z,” and New York, New York. Minnelli describes taking her first Valium in 1969 at the time of her mother’s death from an overdose, unwittingly assuming the mantle of addictions that would mar her public and private life for decades. In and out of the Betty Ford Center, she finally achieved sobriety in 2015, on the eve of her 70th birthday. As the title suggests, she has great stories, and, with the help of her dear friend Feinstein and co-writers Getlin and Evans, she leaves out none of the juice. From her torrid, cocaine-fueled romance with Martin Scorsese (both were married at the time, and she cheated on both husband and lover with Mikhail Baryshnikov) to her falling-out with Lady Gaga at the Oscars in 2022, she spares neither herself nor anyone else and, in the process, reclaims her once very tattered dignity in a moving and remarkable way.
An old-school Hollywood tell-all with all the trimmings, traumas, and bold-face names.Pub Date: March 10, 2026
ISBN: 9781538773666
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: March 10, 2026
Kirkus Reviews Issue: April 15, 2026
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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