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THE PERFECT VEHICLE

WHAT IT IS ABOUT MOTORCYCLES

An entertaining vade mecum for the aspiring Dennis Hopper, Evel Knievel, or Malcolm Forbes of the family. Magazine journalist Pierson sets out to explore the motorcycle mystique, her account ranging from peeks at by now tired icons like the Marlon Brando of The Wild Ones to fresher elements like the nascent French biker culture. (The French, of course, have an elaborate classification system to distinguish true bikers from les sportifs, the sham articles.) She calls the fixation with bikes ``motolust,'' and she admits to being a victim herself, one of the growing number of women who reject the phallic-substitute imagery long associated with ``chicks on bikes'' for what is, all in all, a fun ride in the open air. Pierson takes the reader on wild spins, hitting cross-country races and motocross tournaments up and down the East coast, cataloging the thrills and, especially, the manifold dangers that await, all the little things that can quickly send a biker to the grave: ``wet leaves, gravel, sand, decreasing-radius turns, painted lines, tar patches liquefying in the sun, antifreeze, oil deposits at gas stations or toll booths, metal plates and manhole covers made deadly by rain . . .'' Pierson is often funny, frequently deep, occasionally sharp-edged, and almost always right on the money. She is also fully aware of her minority status within a minority culture—as she notes, only 7 million Americans ride motorcycles, as against 20 million who call themselves bird-watchers—and she does her best to convey the spirit of motorcycling to the countless uninitiated. You don't have to be a two-wheel devotee to appreciate Pierson's work, but it probably helps. Still, even if you don't much care for motorcycles—or your mother wouldn't let you ride one—this engaging treatise (part of which appeared in Harper's) is worth a look. (photos, not seen)

Pub Date: April 1, 1997

ISBN: 0-393-04064-X

Page Count: 224

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1997

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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