An eclectic assortment of terrible futures.
Viruses, terrorists, social collapse, disasters—this anthology offers variety in the horrors lurking ahead for humanity. Some protagonists rebel against invasive, controlling societies; others are just trying to get by in the chaotic ruins of civilization. The genres of individual stories are also scattered: A healthy dose of science fiction, some fantasy and even horror and paranormal romance are represented. Many of the entries read more like teasers for novels rather than fully realized and soundly structured stories. Among those, Veronica Roth’s “Hearken” stands out for tight structure, an intriguing premise relying on a musical application of string theory and, most importantly, emotional resonance. It is the most successful of the offerings. Rachel Caine’s “Dogsbody” and Margaret Stohl’s “Necklace of Raindrops” offer different views of corporate-controlled nightmares—action-packed and murderous for the former, thoughtful for the latter. Readers seeking the grotesque and creepy find it in the Lovecraft-ian tale “Corpse Eaters,” by editor Marr, involving a rebellion against an awoken reptilian god who eats the dead, or in the disease story “Miasma,” by Carrie Ryan. Diversity of content goes some way to distract from unevenness of story quality. Just about any of these stories could easily be expanded into a novel—unfortunately, this makes them less satisfying as reads in the short story form, as many feel abridged and offer weak resolutions.
Perhaps most appealing as a sampler for genre neophytes. (Post-apocalyptic/short stories. 13 & up)Pub Date: Feb. 19, 2013
ISBN: 978-0-06-209846-7
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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This literary DeLorean transports readers into the past, where they hope, dream, and struggle alongside beloved characters from Thomas’ The Hate U Give (2017).
The tale begins in 1998 Garden Heights, when Starr’s parents, Maverick and Lisa, are high school seniors in love and planning for the future. Thomas proves Game of Thrones–esque in her worldbuilding ability, deepening her landscape without sacrificing intimacy or heart. Garden Heights doesn’t contain dragons or sorcerers, but it’s nevertheless a kingdom under siege, and the contemporary pressures its royalty faces are graver for the realness that no magic spell can alleviate. Mav’s a prince whose family prospects are diminished due to his father’s federally mandated absence. He and his best friend, King, are “li’l homies,” lower in status and with everything to prove, especially after Mav becomes a father. In a world where masculinity and violence are inextricably linked to power, the boys’ very identities are tied to the fathers whose names they bear and with whose legacies they must contend. Mav laments, “I ain’t as hard as my pops, ain’t as street as my pops,” but measuring up to that legacy ends in jail or the grave. Worthy prequels make readers invest as though meeting characters for the first time; here they learn more about the intricate hierarchies and alliances within the King Lord gang and gain deeper insight into former ancillary characters, particularly Mav’s parents, King, and Iesha. Characters are Black.
A resounding success. (Fiction. 13-18)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-284671-6
Page Count: 320
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 9, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Categories: TEENS & YOUNG ADULT SOCIAL THEMES | TEENS & YOUNG ADULT FICTION
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This story is necessary. This story is important.
23
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Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.
Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.
This story is necessary. This story is important. (Fiction. 14-adult)Pub Date: Feb. 28, 2017
ISBN: 978-0-06-249853-3
Page Count: 464
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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