No silk purse here, just four little piggie ears.
Miniature pigs celebrate the Christmas holiday together in a story illustrated with photographs of the pampered porcine pair.
Prissy and Pop are pets who live in Florida with their owner, a first-grade teacher. The micro-pigs have their own Instagram account, stuffed pig toys named for them, and now their own book series. This holiday offering is the second, following Prissy & Pop: Big Day Out (2016). The two pigs are photographed in costumes as they decorate their Christmas tree, bake holiday treats, and sing carols on Christmas Eve before hanging up their stockings. On Christmas morning they pose in matching red pajamas in front of piles of presents. The photographs are slickly professional, and the design places a full-page photo opposite a text block set against red or green backgrounds on each double-page spread. The costumes and props are all cheerfully Christmas-y, and the piggies are undeniably cute. The text, however, is mostly just description of the activities in the photographs, with unconvincing dialogue and lame jokes as well. (“Hooves crossed!”). The dialogue is forced and determinedly upbeat, with lots of exclamation marks. (“ ‘It’s a winter wonderland!’ cries Prissy.”) There is no real plot to speak of.
No silk purse here, just four little piggie ears. (Picture book. 3-7)Pub Date: Sept. 20, 2016
ISBN: 978-0-06-243996-3
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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