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THE SCENT OF YOUR BREATH

Name: THE SCENT OF YOUR BREATH
Author: Melissa P.
ISBN: 0-8021-7022-6

by Melissa P. & translated by Shaun Whiteside ‧ RELEASE DATE: Aug. 1, 2006

An experimental work that relentlessly tests states of reality versus fantasy.

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A second self-assured sexual coming-of-age tale by the young Sicilian author of 100 Strokes of the Brush Before Bed (2004).

The opening of this hallucinatory novel in episodes describes a buzzing bee entangled in the hair of the first-person narrator, as if trying to impart to her some kind of message she can’t understand. This scene establishes the story’s impressionist, somewhat arbitrary feel. The narrator is scarcely 19, and already fairly well known as an author in Rome, where she lives with her lover, Thomas, for whom she has left her boyfriend Claudio back home in Catania, Sicily. Thomas brings out her maternal side, and she begins to feel terrible homesickness for her mother and Catania. Childhood memories of growing up there with her mother, father and extended family compound the growing insecurity the narrator feels in her relationship with Thomas. She expresses the need to return to her “roots,” yet recognizes that this is not possible. She often addresses her mother as “You,” a kind of guardian: “You watch and protect it as I have not asked you to, as I do not expect you to.” After a traumatic miscarriage, she begins to question Thomas’s fidelity, and drives a wedge between them by cross-examining him with obsessive jealousy. Voices whisper to her—her mother’s voice, as well as strange women who goad her to write and to spy on Thomas. Her mother used to warn her about dragonflies, which, she said, were actually women who visit at night and cast spells, and in her increasingly delusional state, the narrator imagines these so-called night-women are pursuing her. In the end, the story is saved from descending into a confusing disjointedness by the narrator’s youthful, candid voice.

An experimental work that relentlessly tests states of reality versus fantasy.

Pub Date: Aug. 1, 2006

ISBN: 0-8021-7022-6

Page Count: 160

Publisher: Black Cat/Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

Categories:

GENERAL FICTION

- BOOK REVIEW
100 STROKES OF THE BRUSH BEFORE BED
by Melissa P. & translated by Lawrence Venuti

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BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

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Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

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Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.