Thoughtful and eye-opening, this is an admirable debut.
A nuanced look at the human cost of immigration policy.
It’s New York in the 1990s. Ana Falcón works as a seamstress. Her husband, Lucho, is driving a cab. Along with their two small children, the Falcóns are living with Lucho’s cousin’s family. The pressures—personal, financial—that Ana faces will be recognizable to most readers, but the fact that the Falcóns are undocumented immigrants adds a layer of complexity and peril to every choice they make. Ana and Lucho are limited in the kinds of jobs they can find and vulnerable to employers willing to hire workers illegally. Housing is hard to come by, and they know that their welcome with extended family is not indefinite. With no access to banks, they are forced to do business with loan sharks. Rivero offers a portrait of the immigrant experience that will undoubtedly ring true to many, but she also writes with great specificity. She offers insight into the economic and political instability that drove Ana and Lucho to leave Peru, and she depicts the ways in which class and race factor into the lives of the Falcóns. Ana’s background is rural and indigenous. Terrorists and soldiers were a threat to her and her mother. Lucho’s family is from Lima, and these differences color Ana’s relationship with Lucho’s cousin Valeria. Ana is a very well-crafted protagonist, sympathetic but not perfect. Her situation is circumscribed, but Rivero gives her considerable agency—including the freedom to make dubious choices. This is, obviously, a book that has a lot to say to our current moment, but it also has an emotional appeal that is timeless and universal.
Thoughtful and eye-opening, this is an admirable debut.Pub Date: April 2, 2019
ISBN: 978-0-06-287235-7
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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