A historically rigorous and emotionally riveting period piece.
Slager’s historical novel, largely set at the end of the 17th century, chronicles the tale of a whaling village on the western coast of the future United States, threatened by natural disaster.
In 1699, Dushuuw is a battle-hardened warrior in Wuh-uhch, where his father, Chahbuhť̓, is a powerful and revered whaling chief. At 19, he’s the youngestson in his family and grows up in the shadow of his 22-year-old brother, Q̓otsik, who’s established himself as a prodigious whaler who’s likely to succeed Chahbuhť̓ one day. Dushuuw’s position within the tribe is compromised when he catches a man, Wiikihbis, having sex with his wife, and kills him. The marriage is a strategic one, cementing an important alliance, so the political fallout is considerable. Moreover, the man he killed was a whaler on Q̓otsik’s canoe, and now he must take his place—a job he doesn’t relish, and for which he possesses little natural talent; it’s a predicament that Slager portrays with great psychological subtlety and dramatic power. Meanwhile, Amuun’ax̱sum, the daughter of another whaling chief,is taken hostage by an invading tribe after they murder her mother and father. She’s later enslaved by Eekbis, the shaman of Dushuuw’s tribe. She longs to recapture the nobility that she now must hide to stay alive. Amuun’ax̱sum and Dushuuw fall in love, but their prospects for happiness seem dim, given the social expanse that separates them. Also, a disastrous earthquake and tsunami threatens to end their lives before they can make a bid for romantic bliss.
Slager’s novel is based on the Makah tribe, who live in the Cape Flattery area of what is now Washington state, and she brings the everyday lives and customs of its people into vivid relief. The natural disaster that waylaid the tribe is a real one, with her research into it and scholarly command of all the relevant source material nothing short of magisterial. Readers get a remarkable glimpse into a whaling community before European contact. However, this book is, first and foremost, a novel, and it tells an engrossing story. Both the principal characters are portrayed with notable nuance, and their budding relationship is both plausible and moving. Some people in Dushuuw’s tribe wonder if he’s more trouble than he’s worth, due to his taste for violence: “A man who takes that much human life—perhaps the spirit of the whale cringes from it, you see?” Dushuuw hears an elderly man say. “Is there really a way to get rid of so much human stench, such darkness of heart?” Amuun’ax̱sum also proves to be a compelling character, and Slager depicts the burden of her grief—over the loss of her family, and of her noble identity—with affecting complexity: “She wanted to fill a river with tears, and shoot her fear to the moon. She wanted a bench, not a mat. To own things, not hide them. A home. A voice. A name—to be known.”
A historically rigorous and emotionally riveting period piece.Pub Date: May 20, 2025
ISBN: 9798991543514
Page Count: 520
Publisher: N/A
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 15, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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