An important book about endings, beginnings and the choice to move on.
When confronted with a devastating reality, one girl reaches deep into her own art to surround herself with both truth and beauty.
After Tera Waters' father is arrested for possession of child pornography, the only thing she can focus on is helping him prove the whole thing a mistake. She uses the money that was meant to send her to a famous art school in Paris to pay a lawyer's retainer, despite her mother's conviction that her father is guilty. After getting a job waiting tables, she meets Joey, a cool-looking guy who works in the kitchen. When Joey asks her out, it seems like her luck might be changing, but she can't shake the feeling that his motives might be less than honorable. With all the people in her life proving to be disappointments, she can trust only her own painting, but maybe even that won't be enough. Maysonet's debut novel places Tera’s inner monologue in sharp relief against the trauma of a dysfunctional relationship. Her prose is unflinching as it illuminates one girl's traumatic experience with deeply felt compassion and brutal honesty, inviting readers into a very dark place that nonetheless has edges gilded with resilience and hope.
An important book about endings, beginnings and the choice to move on. (Fiction. 15-18)Pub Date: March 18, 2015
ISBN: 978-1-4405-8254-7
Page Count: 240
Publisher: Merit Press
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
BOOK REVIEW
Even fans may balk at the closureless close, but there is obviously more to come.
Son of a notorious serial killer, Jazz Dent goes to New York City to continue his hunt for killers like his father—and maybe the old man himself.
Seventeen-year-old Jasper “Jazz” Dent and his hometown of Lobo’s Nod have mostly recovered from the predations of the Impressionist, a serial killer who impersonated Jazz’s father, Billy, but Billy’s out there somewhere, killing again. When NYPD Detective Louis Hughes comes to Jazz’s door asking for help in catching the Hat-Dog Killer, Jazz says no—but he can’t deny that he’s an expert on serial-killer behavior, since his notorious father raised him to be one. Jazz and his girlfriend, Connie, head to NYC to help, but they find themselves caught up in a grisly game with no idea of who the players are or whom they can trust. Jazz isn’t even sure he can trust himself. Lyga’s second serial-killer–hunting title is even more open-ended (and overstuffed) than the first (I Hunt Killers, 2012). Chapters from the perspectives of the various killers undercut the mystery aspects of the tale, and extraneous subplots distract from what could have been a complex thriller. Jazz is believable, but the other characters are mostly flat; Billy himself often comes off as more Bozo than Bundy.
Even fans may balk at the closureless close, but there is obviously more to come. (Thriller. 15 & up)Pub Date: April 23, 2013
ISBN: 978-0-316-12587-1
Page Count: 528
Publisher: Little, Brown
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
This sophomoric sophomore effort reads like a rough draft for a screenplay…which it may well be.
High school senior Carson Phillips will get into Northwestern and be the youngest freelance journalist published in all the major outlets, and he’s not above blackmail to get there.
Although he’s single-handedly kept the Clover High Chronicle in print and the Writing Club functioning (by teaching the journalism class, one of many credulity-stretching details) for years, Carson is worried that he won’t get into his dream school. The acceptance letter will be his ticket out of the backward town of Clover which, like high school, is peopled by Carson’s intellectual inferiors. When his counselor suggests he edit and submit a literary magazine with his application, Carson and his dim, plagiaristic sidekick Malerie hatch a scheme to blackmail a chunk of the student body into submitting work. Colfer’s joyless and amateurish satire is little more than a series of scenes that seem to be created as vehicles for lame and often clichéd one-liners. Once Carson’s bullied his classmates (stereotypes one and all) into writing for him, he develops a soul and dispenses Dr. Phil–worthy advice to his victims—and he’s confused when they don’t thank him. Carson is so unlikable, so groundlessly conceited that when lightning literally does strike, readers who’ve made it that far may well applaud.
This sophomoric sophomore effort reads like a rough draft for a screenplay…which it may well be. (Fiction. 15-17)Pub Date: Nov. 20, 2012
ISBN: 978-0-316-23295-1
Page Count: 272
Publisher: Little, Brown
Review Posted Online: Oct. 9, 2012
Kirkus Reviews Issue: Nov. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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