A busy if ultimately tidy wrap-up for fans.

WORLDS COLLIDE

From the Land of Stories series , Vol. 6

Witches and other fictional baddies move to conquer this world when a portal opens between the Land of Stories and a branch of the New York Public Library.

For the finale to his popular series, Colfer recaps the first five episodes, then brings together most of the teeming cast to wage, as the narrator admits, “an overdue battle of good versus evil.” Flanked by a wish-fulfilling frame story in which Conner, one of the white twin protagonists, has grown up to become a revered writer of middle-grade fantasies, the climactic struggle begins with the portal’s opening in the sumptuous Rose Reading Room. It spreads to Central Park and other locales as the then-teenager and allies fictional or otherwise (including a lot of ineffectual Marines) square off against his powerfully gifted sister, Alex, the dastardly witches who have ensorcelled her, and a Literary Army led by (among others) the head-chopping Queen of Hearts. Many set pieces ensue, from a pitched battle with gingerbread soldiers to no fewer than six individual witch-fairy duels in a row—not to mention gags and one-liners aplenty, topical references, and adolescent posturing (“Knock it off, boys,” Merlin snaps at one point, “there are much bigger issues in this story”). With one exception, characters who die bleed words instead of blood, and all of the destruction in both worlds is neatly fixed at the end by an albino dragon ( see Book 3: A Grimm Warning). Dorman’s vignettes at the chapter heads offer glimpses of settings and characters.

A busy if ultimately tidy wrap-up for fans. (foldout map of lower Manhattan) (Fantasy. 10-13)

Pub Date: July 11, 2017

ISBN: 978-0-316-35589-6

Page Count: 448

Publisher: Little, Brown

Review Posted Online: Aug. 12, 2017

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A sly, side-splitting hoot from start to finish.

THE MECHANICAL MIND OF JOHN COGGIN

The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.

Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)

A sly, side-splitting hoot from start to finish. (Adventure. 11-13)

Pub Date: April 12, 2016

ISBN: 978-0-06-234510-3

Page Count: 352

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: April 15, 2013

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