An intelligent tribute to a heroic era and its aftermath, short on poetry but not on gravitas.

CROSSING THE LINES

The concluding novel in a solid trilogy chronicling post–World War II northern English life.

Bragg (A Son of War, 2003, etc.) pulls together his thoughtful story of the Richardson family by foregrounding the next generation, namely Joe, the sensitive son of Burma Campaign veteran Sam, now a pub landlord. From a fragmented opening, the schoolboy's narrative emerges to encompass developing identity and academic striving against the proud background of Wigton, a fictional town representative of Bragg's beloved Cumbria. Spanning 1955 to 1959, Joe's is a story of late development as adolescence gives way to his developing sexuality and passions for music, both rock-’n’-roll and classical. His affections are captured by Rachel Wardlow, the independent daughter of a local farmer, and they begin to date. Bragg is not a natural storyteller, but his affection for place, history and community anchor the narrative. The mood of England in the 1950s, a time of post-war reinvigoration when fresh ideas emerged, sometimes unsettling the generation who fought, is also evocatively pinpointed by cultural reference. Joe is clever enough to become a scholarship boy, part of a movement to dilute the class elitism at Oxford and Cambridge via a funded transfusion of regional and working-class intelligence. In keeping with the themes of masculinity and physical violence that seam the story, Sam hopes that Oxford will toughen Joe up. And Joe is undoubtedly jolted by the cultural shift when he arrives at the university which he finds `a bit posh` as well as intellectually intimidating. Homesick and lovesick, Joe hangs on to his relationship with Rachel, and the couple get engaged, but Rachel eventually breaks it off, leaving Joe cast properly adrift into his future. Things change, but not, perhaps, Sam's departing, resonant advice to Joe: “Be decent to people.”

An intelligent tribute to a heroic era and its aftermath, short on poetry but not on gravitas.

Pub Date: Sept. 1, 2005

ISBN: 1-55970-738-0

Page Count: 496

Publisher: Arcade

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2005

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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