by Meredith Broussard ‧ RELEASE DATE: March 14, 2023
An informed analysis of one of the insidious elements of technology.
A sharp rebuke of technochauvinism.
Broussard brings her perspective as a multiracial woman, data journalist, and computer scientist to an eye-opening critique of racism, sexism, and ableism in technology. She decries technochauvinism, which she defines as “a kind of bias that considers computational solutions to be superior to all other solutions.” Examining the use of AI programs in areas such as facial recognition, learning assessment, and medical diagnosis, Broussard argues persuasively that algorithmic systems “often act in racist ways because they are built using training data that reflects racist actions or policies.” Moreover, these systems have been developed by “able-bodied, white, cis-gender, American men” who test programs on a similar pool. Racial bias is blatant when facial recognition programs are instituted in policing, leading to harassment and false arrests. “Facial recognition is known to work better on people with light skin than dark skin,” she writes, “better on men than on women, and it routinely misgenders trans, nonbinary, or gender nonconforming people.” Broussard explains clearly how data sets limit the efficacy of AI in predictive policing—“a strategy that uses statistics to predict future crimes”—as well as in medical diagnostics: “The skin cancer AIs are likely to work only on light skin because that’s what is in the training data.” The author draws on her own experience with breast cancer to point out the inadequacy of an AI assessment that missed her disease. Fortunately, her experienced doctor did not even consult the AI results. Broussard highlights the work of the Algorithmic Justice League, the Surveillance Technology Oversight Project, and other groups involved in algorithmic auditing. “If we are building AI systems that intervene in people’s lives,” she warns, “we need to maintain and inspect and replace the systems the same way we maintain and inspect and replace bridges and roads.”
An informed analysis of one of the insidious elements of technology.Pub Date: March 14, 2023
ISBN: 9780262047654
Page Count: 240
Publisher: MIT Press
Review Posted Online: Jan. 5, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Walter Isaacson ‧ RELEASE DATE: Nov. 18, 2025
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
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New York Times Bestseller
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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by Walter Isaacson with adapted by Sarah Durand
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SEEN & HEARD
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
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by Brandon Stanton photographed by Brandon Stanton
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