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THE ENCYCLOPEDIA OF EXES

26 STORIES BY MEN OF LOVE GONE WRONG

An imaginative, yet uneven, collection, with flat tales sprinkled among those with sensitivity, humor and flair.

Twenty-six men write of relationships gone sour.

To balance her previous all-female-authored collection, The Dictionary of Failed Relationships (2003), Broussard brings us the Y-chromosome version, a chance for men to defend themselves against the presumption that they’re the sole selfish, lying, cheating gender. The A-to-Z volume surprises by not casting man as martyr. Quite a few are told from a woman’s point of view—like Jack Murnighan’s deeply felt “Over,” a widow’s tale of her affair with a much younger man, and “Devotion,” Adam Langer’s sliver of a story about a groupie’s near-hook-up with Bruce Springsteen. Family strife also looms, as in Matthew Sharpe’s “Car,” about a father learning to let his daughter grow up, and Jeff Johnson’s “Egging,” which involves a stepfather-figure who encourages a teenager to commit vandalism, then abandons him when the scene turns ugly. Readers looking for the pain of romance gone awry will find satisfaction in Marc Spitz’s “Xanax,” a recovered heroin addict’s recollection of the torture he wrought on a woman who dared to love him, and Justin Haythe’s “Youth,” a foreboding account of two men’s forays into infidelity. A couple of comic tales stand out: “Last,” Richard Rushfield’s laugh-out-loud story of being the final man on earth unable to woo the sole remaining woman (“ ‘You seriously think I’m going to put out on the second day I’ve known you?’ ” she asks, adding, “ ‘Why don’t we take our time and see where it leads?’ ”), and Dan Kennedy’s “Z,” in which the bumbling narrator falls for—and supposes he has an amorous relationship with—a blithely calculating lesbian. Other contributors include Jonathan Lethem, Jonathan Ames, Neal Pollack, and the music writer Touré, who offers up a weightless, unamusing parable about a breakup.

An imaginative, yet uneven, collection, with flat tales sprinkled among those with sensitivity, humor and flair.

Pub Date: Oct. 4, 2005

ISBN: 1-4000-5423-0

Page Count: 320

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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