A fun, enlightening read for writers and book lovers alike.

WHY WE WRITE

20 ACCLAIMED AUTHORS ON HOW AND WHY THEY DO WHAT THEY DO

A rich, informative essay collection based on interviews with 20 prominent authors seeking to answer the question: "Why do writers write?"

Whether as an avocation or a profession, writing "promises only poverty, rejection and self-doubt,” writes veteran book critic and author Maran (A Theory of Small Earthquakes, 2012, etc.). As the editor points out, however, this fact does not stop people from writing and trying to publish their manuscripts, only 1 percent of which will ever see print. So what drives individuals to engage in this constantly frustrating endeavor? Maran posed the question to writers who seemed to have what every writer could ever want: “[m]illions or billions of fans worldwide . . . [and] full creative freedom.” Isabelle Allende and David Baldacci write from an obsessive need to tell stories. Kathryn Harrison explains that “it’s the only thing I know that offers the hope of proving myself worthy of love.” Armistead Maupin writes that “it’s a way of processing my disasters, sorting out the messiness of life to lend symmetry and meaning to it.” Maran’s subjects include authors who have received both popular and critical acclaim, and she includes details about how each author found a place in the literary sun. She also delves into how they approach the task of recording their stories and presents their writing tips. The wisdom these luminaries offer sometimes, and perhaps inevitably, borders on the obvious or banal: “You have to simply love writing,” writes Susan Orleans. But more often than not, that wisdom is as sharp-eyed and candid as Sue Grafton’s observation that “[b]anging out a single book, then thinking you’re ready to give up your day job and be a full-time writer, is the equivalent of learning to play ‘Three Blind Mice’ on the piano and then expecting to be booked into Carnegie Hall.”

A fun, enlightening read for writers and book lovers alike.

Pub Date: Jan. 29, 2013

ISBN: 978-0-452-29815-6

Page Count: 256

Publisher: Plume

Review Posted Online: Jan. 20, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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