Candid revelations for readers; useful advice and encouragement for aspiring writers.

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WHY WE WRITE ABOUT OURSELVES

TWENTY MEMOIRISTS ON WHY THEY EXPOSE THEMSELVES (AND OTHERS) IN THE NAME OF LITERATURE

Memoirists reflect on why and how to write “a true-life tale.”

The enormous current popularity of memoirs inspired Maran (A Theory of Small Earthquakes, 2012, etc.) to ask 20 writers to share thoughts on motivation, morality, and craft. Although the editor writes that this book is aimed at readers as well as writers, the structure suggests that would-be memoirists are the intended audience. Maran prefaces each chapter with a sprightly introduction, along with “Vitals” such as birthdate, schooling, Twitter and website addresses, and bibliography. Each entry is divided into brief sections, beginning with “Why I write about myself” and ending with a boxed nugget of advice called “Wisdom for Memoir Writers.” Most of the contributors are likely to be familiar to readers: Edwidge Danticat, A.M. Homes, Sue Monk Kidd, Anne Lamott, Cheryl Strayed, and Ayelet Waldman are among the women; Pat Conroy, Nick Flynn, and James McBride are among the men. Some offer opinions about the value of memoir as catharsis, therapy, or revenge. All agree that crafting a memoir is different from keeping a diary. “You still have to write scenes and be engaging,” Danticat advises, “You have to edit mercilessly….Don’t just put things in because ‘they happened.’ ” Waldman echoes Danticat’s advice: “Writing memoir requires the construction of story and character in the same way that writing anything does. The trick with memoir is that the story and the character have to be true.” However, there’s considerable disagreement about memoirists’ responsibility to other people. “Memoirs hurt people,” Conroy writes. “Secrets hurt people. The question to ask yourself is, if you tell your story, will it do enough good to make it worth hurting people?” Strayed cautions, “You have to think about the personal consequences of writing about others on a case-by-case basis.” David Sheff declares simply, “Don’t hurt people.” Other contributors include Kate Christensen, Edmund White, and Jesmyn Ward.

Candid revelations for readers; useful advice and encouragement for aspiring writers.

Pub Date: Jan. 26, 2016

ISBN: 978-0-14-218197-3

Page Count: 272

Publisher: Plume

Review Posted Online: Oct. 4, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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