A fun, enlightening read for writers and book lovers alike.
A rich, informative essay collection based on interviews with 20 prominent authors seeking to answer the question: "Why do writers write?"
Whether as an avocation or a profession, writing "promises only poverty, rejection and self-doubt,” writes veteran book critic and author Maran (A Theory of Small Earthquakes, 2012, etc.). As the editor points out, however, this fact does not stop people from writing and trying to publish their manuscripts, only 1 percent of which will ever see print. So what drives individuals to engage in this constantly frustrating endeavor? Maran posed the question to writers who seemed to have what every writer could ever want: “[m]illions or billions of fans worldwide . . . [and] full creative freedom.” Isabelle Allende and David Baldacci write from an obsessive need to tell stories. Kathryn Harrison explains that “it’s the only thing I know that offers the hope of proving myself worthy of love.” Armistead Maupin writes that “it’s a way of processing my disasters, sorting out the messiness of life to lend symmetry and meaning to it.” Maran’s subjects include authors who have received both popular and critical acclaim, and she includes details about how each author found a place in the literary sun. She also delves into how they approach the task of recording their stories and presents their writing tips. The wisdom these luminaries offer sometimes, and perhaps inevitably, borders on the obvious or banal: “You have to simply love writing,” writes Susan Orleans. But more often than not, that wisdom is as sharp-eyed and candid as Sue Grafton’s observation that “[b]anging out a single book, then thinking you’re ready to give up your day job and be a full-time writer, is the equivalent of learning to play ‘Three Blind Mice’ on the piano and then expecting to be booked into Carnegie Hall.”
A fun, enlightening read for writers and book lovers alike.Pub Date: Jan. 29, 2013
ISBN: 978-0-452-29815-6
Page Count: 256
Publisher: Plume
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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