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THE HONEY BUS

A MEMOIR OF LOSS, COURAGE AND A GIRL SAVED BY BEES

A fascinating and hopeful book of family, bees, and how “even when [children] are overwhelmed with despair, nature has...

A moving memoir that tells the story of how helping her grandfather tend his beehives helped a girl survive a troubled childhood.

Former San Francisco Chronicle reporter May’s (co-author: I, Who Did Not Die, 2017) parents separated when she was 5. Her troubled, emotionally distant mother moved her and her younger brother back to the rural home shared by her own mother and her mother's second husband, who tended beehives all over Carmel Valley in California. After the author’s mother took to her room and refused to deal with the kids, the author spent most of her nonschool hours with “Grandpa,” driving around in his old truck to inspect hives, learning about bees, and eventually assisting him to harvest honey in an old bus he had rigged up just for this purpose. May balances the familiar story of an inadequate mother who veers between neglect and occasional abuse with a clear portrayal of her gratitude for the thoughtful, dependable man who taught her to reach out beyond her toxic nuclear family and make her way into the wider world, encouraging her to go to college and not let herself be defined by her mother's weaknesses. Her love of nature, too, and particularly of the unexpected intricacies of the ways bees behave, has provided her with a sense of peace and perspective. “Over time,” she writes, “the more I discovered about the inner world of honeybees, the more sense I was able to make of the outer world of people.” May also weaves into the narrative intriguing facts about the social lives and roles of honeybees, and she describes with affection the details of the process of producing honey and the role the beekeeper plays in the lives of bees. While her subject may be honeybees, they serve as a launching point for a tale of self-discovery and the natural world at large.

A fascinating and hopeful book of family, bees, and how “even when [children] are overwhelmed with despair, nature has special ways to keep them safe.”

Pub Date: April 2, 2019

ISBN: 978-0-7783-0778-5

Page Count: 336

Publisher: Park Row Books

Review Posted Online: Jan. 12, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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