Next book

THE BIRTH OF THE WORLD AS WE KNOW IT OR, TEIRESIAS

The life of the blind soothsayer of myth and classic literature becomes a clever (if rather lifeless) contemporary exploration of gender, time, and religion. Steinbach (Reliable Light, 1990, etc.) takes the legend of the young Theban, blinded because he saw the goddess Athena bathing, and turns it into a revisionist tale for our times. Unable to restore his sight, Athena gave Teiresias the dubious gift of foreseeing the future, a gift that still has its uses. Now in the underworld, populated by the shades of the dead who have drunk the waters of Lethe and forgotten their pasts, Teiresias, whose politics are more those of a 20th-century antiwar activist than a classical warrior, accuses Odysseus of being a warmonger, a violent spirit who most enjoys killing and bloodshed. As he tries to change Odysseus' politics, Teiresias recalls his own past and the dreadful visions of the future he's had. He recalls being blinded, his brief transformation into a woman, and his meeting with Hera and Zeus, who wanted to know, based on his experience, which gender experienced the most sexual satisfaction. He also remembers how he foresaw the fate of his native Thebes, and how he has had visions of disasters yet to come, including the Holocaust and Hiroshima. The gods themselves make brief appearances, and Zeus is advised by Teiresias—who foresees the birth of Buddha, Christ, and Mohammed- -to change his ways and become a kinder, gentler deity. Finally, horrified by the terrible visions Teiresias has conjured up for him, Odysseus has a change of heart, renouncing his warlike ways; and the blind seer in turn at last understands that life itself is more important than his obsession with time, that living in the present moment matters more than any dreams—or nightmares—of the future. Provocative, but only intermittently so, as Teiresias attempts to teach some old gods new tricks.

Pub Date: Nov. 1, 1996

ISBN: 0-8101-5060-3

Page Count: 194

Publisher: Northwestern Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Next book

JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

Categories:
Close Quickview