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SOMETHING TO TALK ABOUT

A sparkling debut with vibrant characters, a compelling Hollywood studio setting, and a sweet slow-burn romance.

A successful showrunner and her capable assistant reassess their relationship when their red carpet appearance fuels dating rumors in Wilsner’s debut.

Jo Jones has been a Hollywood star since the age of 13. Now a powerhouse showrunner, she's about to be tapped to write and produce for a James Bond–esque action franchise. Already facing industry skepticism thanks to her gender, the last thing Jo needs is gossip, but that’s what she gets when she brings her much younger assistant, Emma Kaplan, to a red carpet event. Emma failed out of film school five years ago, and while she's happy working for Jo, she yearns to get back on a directing path. As Jo and Emma face fallout from the rumor mill, their relationship evolves. They open up to each other, Emma sharing her dreams, and Jo, ordinarily unflappable, admitting some self-doubt. Their mutual attraction is strong throughout, but their age difference and employer-employee relationship create caution, which turns this into a very slow burn. Jo worries about how their relationship will appear: “You think people don’t look at pictures of us and think I’m corrupting this lovely young lady? I’m a predatory lesbian in the middle of a midlife crisis.” Jo, who is Chinese American, had to be strong to survive in show business, and she has a hard time with feelings, her own or anyone else's. The novel is populated with strong secondary characters who bring Jo and Emma to life. Emma’s Judaism in particular is thoughtfully integrated into her character. Wilsner’s writing is matter-of-fact but effective, lending the novel a believable Hollywood insider vibe with a deftly handled #MeToo subplot.

A sparkling debut with vibrant characters, a compelling Hollywood studio setting, and a sweet slow-burn romance.

Pub Date: May 26, 2020

ISBN: 978-0-593-10252-7

Page Count: 336

Publisher: Berkley

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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