A beautiful, sophisticated merging of art and text that could be used in church programs on Christmas Eve or as an...

THE CHRISTMAS STORY

The story of the birth of Jesus is illustrated with works of art from the Metropolitan Museum of Art, paired with text from the King James Bible.

On the attractive cover is a reproduction of a portion of a Dutch painting from the early 1500s showing Mary, Joseph, and the baby Jesus. The painting is dark and dramatic, standing out against the red cloth and embossed gold accents of the cover, and this lush design continues on the gold endpapers decorated with a twining holly motif. The interior illustrations consist of reproductions of a dozen medieval and Renaissance paintings from the Met’s collection, all painted between 1423 and 1540. The Nativity story unfolds from the moment the angel Gabriel appears to Mary through the flight into Egypt, with a final Madonna portrait. The paintings are described and dated in a concluding page of notes. Two paintings include Wise Men with dark skin; the other people are depicted as white. The text uses extracts from the books of Matthew and Luke, with a well-known selection from the book of Isaiah as an introduction. These excerpts are from the King James Version of the Bible, with complex syntax and traditional Biblical language including “thou,” “thee,” and “ye.”

A beautiful, sophisticated merging of art and text that could be used in church programs on Christmas Eve or as an introduction to medieval and Renaissance painting for older students. (Picture book/religion. 8-14)

Pub Date: Oct. 24, 2017

ISBN: 978-1-4197-2307-0

Page Count: 32

Publisher: Abrams

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

Did you like this book?

No Comments Yet

Plays to Rowling’s fan base; equally suited for gifting and reading aloud or alone.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE CHRISTMAS PIG

A 7-year-old descends into the Land of the Lost in search of his beloved comfort object.

Jack has loved Dur Pig long enough to wear the beanbag toy into tattered shapelessness—which is why, when his angry older stepsister chucks it out the car window on Christmas Eve, he not only throws a titanic tantrum and viciously rejects the titular replacement pig, but resolves to sneak out to find DP. To his amazement, the Christmas Pig offers to guide him to the place where all lost Things go. Whiffs of childhood classics, assembled with admirable professionalism into a jolly adventure story that plays all the right chords, hang about this tale of loss and love. Along with family drama, Rowling stirs in fantasy, allegory, and generous measures of social and political commentary. Pursued by the Land’s cruel and monstrous Loser, Jack and the Christmas Pig pass through territories from the Wastes of the Unlamented, where booger-throwing Bad Habits roam, to the luxurious City of the Missed for encounters with Hope, Happiness, and Power (a choleric king who rejects a vote that doesn’t go his way). A joyful reunion on the Island of the Beloved turns poignant, but Christmas Eve being “a night for miracles and lost causes,” perhaps there’s still a chance (with a little help from Santa) for everything to come right? In both the narrative and Field’s accomplished, soft-focus illustrations, the cast presents White.

Plays to Rowling’s fan base; equally suited for gifting and reading aloud or alone. (Fantasy. 8-12)

Pub Date: Oct. 12, 2021

ISBN: 978-1-338-79023-8

Page Count: 288

Publisher: Scholastic

Review Posted Online: Oct. 21, 2021

Kirkus Reviews Issue: Nov. 15, 2021

Did you like this book?

Warmhearted cross-cultural friendship for a refugee on distant shores: both necessary and kind.

LETTERS FROM CUBA

In 1938, a Jewish refugee from Poland joins her father in small-town Cuba.

After three years abroad, Papa’s saved only enough money to send for one of his children. Thus Esther boards the steamship alone even though she’s not quite 12. Cuba is a constant surprise: Her father’s an itinerant peddler and not a shopkeeper; they live as the only Jews in a tiny village; and she’s allowed to wear sandals and go bare-legged in the heat. But the island is also a constant joy. Nearly everyone Esther meets is generous beyond their means. She adores her new trade as a dressmaker, selling her creations in Havana to earn money to bring over the rest of the family. In glowing letters to her sister back in Poland, Esther details how she’s learning Spanish through the poems of José Martí. She introduces her sister to her beloved new friends: a White doctor’s wife and her vegetarian, atheist husband; a Black, Santería-following granddaughter of an ex-slave; a Chinese Cuban shopkeeper’s nephew. Esther’s first year in Cuba is marked by the calendar of Jewish holidays, as she wonders if she can be both Cuban and a Jew. As the coming war looms in Europe, she and her friends find solidarity, standing together against local Nazis and strike breakers. An author’s note describes how the story was loosely inspired by the author’s own family history.

Warmhearted cross-cultural friendship for a refugee on distant shores: both necessary and kind. (bibliography) (Historical fiction. 8-11)

Pub Date: Aug. 25, 2020

ISBN: 978-0-525-51647-7

Page Count: 272

Publisher: Nancy Paulsen Books

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

Did you like this book?

No Comments Yet
more