A beautiful, sophisticated merging of art and text that could be used in church programs on Christmas Eve or as an...
The story of the birth of Jesus is illustrated with works of art from the Metropolitan Museum of Art, paired with text from the King James Bible.
On the attractive cover is a reproduction of a portion of a Dutch painting from the early 1500s showing Mary, Joseph, and the baby Jesus. The painting is dark and dramatic, standing out against the red cloth and embossed gold accents of the cover, and this lush design continues on the gold endpapers decorated with a twining holly motif. The interior illustrations consist of reproductions of a dozen medieval and Renaissance paintings from the Met’s collection, all painted between 1423 and 1540. The Nativity story unfolds from the moment the angel Gabriel appears to Mary through the flight into Egypt, with a final Madonna portrait. The paintings are described and dated in a concluding page of notes. Two paintings include Wise Men with dark skin; the other people are depicted as white. The text uses extracts from the books of Matthew and Luke, with a well-known selection from the book of Isaiah as an introduction. These excerpts are from the King James Version of the Bible, with complex syntax and traditional Biblical language including “thou,” “thee,” and “ye.”
A beautiful, sophisticated merging of art and text that could be used in church programs on Christmas Eve or as an introduction to medieval and Renaissance painting for older students. (Picture book/religion. 8-14)Pub Date: Oct. 24, 2017
ISBN: 978-1-4197-2307-0
Page Count: 32
Publisher: Abrams
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
A thoughtful, humorous, community-centered exploration of identity and Buddhism.
Stories of Buddha’s past lives help a young boy “find [himself] in the moment.”
Binh and his siblings, who are of Vietnamese descent, can’t believe they’re spending the weekend at a silent meditation retreat. Binh would rather play his Game Boy so he doesn’t have to meditate and inevitably think about the bullies at school. It is only when Sister Peace tells stories about the Buddha and his past life that Binh is able to imagine himself entering a video game–inspired world and thus process his feelings of shame, isolation, and anger. With each Jataka tale, Binh’s awareness expands, and so, too, does his ability to be present for and helpful to those around him. A welcome addition to the handful of middle-grade stories featuring Buddhist protagonists, this exploration of identity and Buddhist principles will find an audience with young readers who love Raina Telgemeier but aren’t quite ready to level up to the complexity and nuance of Gene Luen Yang’s epic American Born Chinese (2006). The video game elements are compelling, although they understandably diminish as the story progresses and the protagonist’s inner life grows. Warm fall colors and luscious black lines anchor the story as it transitions among flashbacks, stories, and the present day. Filled with talking animals, the parables can be a little heavy-handed, but the witty banter between Binh and the narrator during fantasy sequences provides levity. (This review was updated for accuracy.)
A thoughtful, humorous, community-centered exploration of identity and Buddhism. (bibliography) (Graphic fiction. 9-12)Pub Date: Sept. 19, 2023
ISBN: 9780759555488
Page Count: 144
Publisher: Little, Brown Ink
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
PERSPECTIVES
An action-packed, evocative portrayal of courage, friendship, and belonging.
Indian folklore meets fantasy adventure in this captivating novel.
Eleven-year-old Kritika “Kiki” Kallira lives in London with her Mum, an immigrant from the state of Karnataka in the south of India; she’s never met her father, who died before she was born. Kiki’s mother is an animator, and Kiki, who struggles with anxiety and spiraling, obsessive thoughts, finds solace in sketching in her notebooks and imagining stories, especially ones inspired by the Hindu mythology they’ve shared. Now, though, Kiki has unleashed the Asura king Mahishasura from his exile through the drawings in her sketchbook. As she travels and travails between London and Mysore, the heroes and demons she’s sketched come to life, and she is faced with seemingly insurmountable tasks and complex obstacles. In her quest to save the world, Kiki shows readers the power of asking for help, believing in oneself, and overcoming fear. The worldbuilding is full of vibrant images and detailed descriptions about Mahishasura’s kingdom and palace, Lalith Mahal. The novel draws inspiration primarily from the story of Mahishasura—who wanted to be immortal—and how he was defeated by the goddess Chamundeshwari. Anxiety and mental health are also explored with honesty and finesse; many young readers will resonate with her struggle to quiet demons both internal and external.
An action-packed, evocative portrayal of courage, friendship, and belonging. (Fantasy. 8-12)Pub Date: July 6, 2021
ISBN: 978-0-593-20697-3
Page Count: 352
Publisher: Viking
Review Posted Online: July 7, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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