by MF Thomas ‧ RELEASE DATE: Dec. 2, 2019
A confident SF thriller that deftly addresses themes of resilience, faith, and the value of video games.
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Thomas’ (A Sickness in Time, 2016, etc.) post-apocalyptic tale features a man hunting for his family and a lone technology company that’s survived the downfall of the power grid.
A series of electromagnetic pulses have rendered Earth’s electronic devices useless, throwing civilization back hundreds of years; most people call this event “the Change.” Vicious gangs, including the powerful, widespread Seventh, have hobbled law enforcement. Before the Change, FBI agent Walter Jackson had traveled from Memphis, Tennessee, to California’s Bay Area in search of his wife and daughter. Sarah and college-bound Maddie had left him because his work always seemed to be his primary focus. Now, eight years after learning Sarah’s grim fate, Walter remains in Sunnyvale as a cop, still searching for Maddie. One day, he and his partner, Hernandez, are investigating Seventh activity at an old roller rink. They break up a dogfighting pit, and one of the canines brings Walter to a corpse with a “red and black yin-yang” symbol tattooed on its arm. Using additional information from an acquaintance called Captain Anthem, Walter locates the Palo Alto company Terrestrial Economic Solutions. In their heavily guarded and somehow electrically powered underground facility, he finds a video arcade. A woman named Sloan Holt runs it, allowing teenagers to play nonstop and live on the site. She enigmatically tells Walter that TES researches “neurological topics.” The complex truth is that TES sent a manned mission to the Trappist star system; Sloan’s brother, Frank, was a crewmember with whom they lost contact after the Change. The author draws readers through his post-apocalypse in provocative stages. Echoes of Orson Scott Card’s Ender's Game (1986) and Ernest Cline’s Ready Player One (2011) set up the interlocking arcs of the characters, with each missing family in a broken world. The narration offers snarky critiques of how many people live today: “World-wide, precious snowflakes were...rediscovering how to survive without Twitter, skinny lattes, yoga pants, and beard wax.” He also mentions changes that happened before the EMP blasts; about mining asteroids for precious metals, readers learn that “Zuckerburg [sic] might have been involved after Facebook was broken-up by the Feds.” After Walter and Sloan meet, their quests combine; the mystery of Frank’s crew drives the plot, with Maddie’s whereabouts taking something of a back seat. Interpersonal drama at TES simmers as a man named Ashif Showkat pines for Sloan; he’s a Blender, maneuvering “bots” remotely from a special pod to explore the Trappist planet. Sloan, like Walter, puts work ahead of love and believes that Ashif “expected her to be his prize, which was both embarrassing and flattering.” Nostalgia is a force unto itself, as when Walter discovers the arcade, packed with hypnotic lights and sounds. Far from being regressive, the characters’ faith in the past proves to be a way forward. Thomas shows impressive skill at placing well-timed plot twists. Revelations about who finances TES, the origin of the EMP blasts, and Frank himself send the narrative soaring.
A confident SF thriller that deftly addresses themes of resilience, faith, and the value of video games.Pub Date: Dec. 2, 2019
ISBN: 978-1-5439-8906-9
Page Count: 304
Publisher: BookBaby
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Review Program: Kirkus Indie
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by Jaroslav Kalfař ‧ RELEASE DATE: March 7, 2017
An entertaining, provocative addition to the spate of literary near-future novels that have lately hit the shelves.
Blend Bradbury and Lem with Saint-Exupéry and perhaps a little Kafka, and you get this talky, pleasing first novel by Czech immigrant writer Kalfar.
Jakub Procházka—his name, he insists, is “common” and “simple”—is a man of numerous fears, including caterpillars and the possibility of an afterlife, “as in the possibility that life could not be escaped.” An astrophysicist with a beautiful if increasingly estranged wife and a father with a fraught past, Jakub is now pushing the moral equivalent of a giant space broom, collecting cosmic dust for analysis up in the skies on a path to Venus, where the first astronaut from the Czech Republic can stake a claim to space for a nation that the world confuses with Chechnya or, in the words of a powerful technocrat, “reduces us to our great affinity for beer and pornography.” The new world in the sky yields many mysteries, among them an arachnoid spider with whom Jakub, whom the creature calls “skinny human,” has extensive conversations about all manner of things even as events on Earth unfold in ever stranger ways; his wife, Lenka, now has a police tail, and Jakub’s wish to reconcile and produce offspring seems increasingly unlikely. And why does he wish to reproduce? So that, he answers when the creature asks, he reduces the odds of being a nobody, one of many nicely Kafkaesque nods in a book built on sly, decidedly contrarian humor. Whether the Nutella-loving creature is really there or some sort of imagined projection (“A hallucination could not be full of thoughts that had never occurred to me, could it?”) remains something of a mystery, but Jakub’s torments and mostly good-natured if baffled responses to them are the real meat of the story. Blending subtle asides on Czech history, the Cold War, and today’s wobbly democracy, Kalfar’s confection is an inventive, well-paced exercise in speculative fiction.
An entertaining, provocative addition to the spate of literary near-future novels that have lately hit the shelves.Pub Date: March 7, 2017
ISBN: 978-0-316-27343-5
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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BOOK TO SCREEN
by Robert Repino ‧ RELEASE DATE: Jan. 20, 2015
A wild riff on interspecies warfare sure to make pet owners think twice the next time their tabby cats dart by.
A war novel/religious allegory about cats, dogs and giant ants driven by a hive mind. Yes, really.
So, let’s imagine W. Bruce Cameron’s silly and maudlin A Dog’s Purpose recast as a violent and frightening post-apocalyptic global battle for the souls of Earth’s survivors, layered with a messiah prophecy that makes The Matrix look simplistic by comparison. If that’s a bit much, maybe just think Animal Farm re-imagined by Orson Scott Card. Either way, you end up with this devilishly entertaining debut about anthropomorphized animals caught in a conflict between an invading army of insects and the planet’s few remaining humans. The novel begins from the point of view of Sebastian, an aloof but observant house cat whose only true companion is a dog named Sheba. Through animal eyes, he describes Earth’s descent into chaos as giant ants—that’s Hymenoptera unus to you—break through the planet’s crust to wreak havoc on human civilization. At the heart of their plan is the decision to release a virus that gives all animals self-awareness, a bipedal structure and better-than-human intelligence. After the change, Sebastian recreates himself as the cat-warrior Mort(e), the hero of a breakaway army called The Red Sphinx. “Don’t you all know who this is?” says his superior to a new crop of recruits. “This is Mort(e). The hero of the Battle of the Alleghenies. The Mastermind of the Chesapeake Bridge Bombing. The crazy bastard who assassinated General Fitzpatrick in broad daylight. This choker was killing humans before some of you were born.” After a while the story gets kind of messy with a memetic virus called “EMSAH,” the aforementioned prophecy and the preordained battle to end all wars, but it’s still awfully good sci-fi that imagines a world where humans are no longer at the top of the food chain.
A wild riff on interspecies warfare sure to make pet owners think twice the next time their tabby cats dart by.Pub Date: Jan. 20, 2015
ISBN: 978-1-61695-427-7
Page Count: 368
Publisher: Soho
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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