A beautifully illustrated poem that speaks of every child’s complex, imaginative character.
A young child’s affirmation of their potential in the world.
On the opening spread, a parent drives a well-packed car along a road at twilight, with two children in the back seat. The following spread zooms in to show the elder one, a kid with brown skin and black hair pulled into a puffball, peering up at the moon. Rhyming stanzas capture the child’s recognition of aspects of themself in the world—bright as the moon in the night sky, loud as the waves at the shore, looking up at the sky like the flowers in the field. But, they say, “that still isn’t all that I am.” Carlin’s evocative, often impressionistic illustrations embed the child in the natural world, depicting them towering next to giant evergreens, tiny as the bunnies in their underground den, silhouetted in a tent during a storm. Carlin centers the child’s experience by painting them in color, with other family members in monotone. In fact, the palette of brilliant greens, luminous yellows, deep dark blues, striking grays, and more invites repeat viewings of each spread. Clark’s stanzas tumble along in a gentle yet powerful rhythm that begs to be read aloud slowly and savored. As the child comes to understand this elemental self, they also realize that they are yet to be—still moving along the journey of their life.
A beautifully illustrated poem that speaks of every child’s complex, imaginative character. (Picture book. 4-7)Pub Date: June 29, 2021
ISBN: 978-1-970147-46-9
Page Count: 32
Publisher: Compendium
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.
Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.
After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)Pub Date: Aug. 18, 2026
ISBN: 9780063436121
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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BOOK REVIEW
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