McFarlane has created a very funny, very romantic story with deep emotional impact.
A jilted British attorney gets more than she bargained for when she agrees to a fauxmance with the office playboy.
Laurie Watkinson has a corporate law job she loves, dear friends, and Dan, her dependable live-in boyfriend who works in the same firm. When Dan sits her down one evening, Laurie expects anything but to hear him say he's moving out; and then to hear soon after that he has a new girlfriend. Hoping for a bit of revenge, newly single Laurie agrees to pose as “Phony Goddess” to “Greek God” Jamie Carter, her new colleague and a known “soulless womanizer.” Jamie is gorgeous and charming but needs to appear settled to secure a promotion, and he thinks earning the affection of Laurie, the firm’s “golden girl,” is the surest route. Jamie and Laurie are attracted to one another, make each other laugh, and, they learn, have childhood trauma in common. Jamie is a classic playboy felled by love who’s written endearingly and convincingly: “I scoffed at the idea anyone could make you see your life through new eyes and I’m so, so glad to be wrong.” Laurie’s intelligence and acerbic wit—especially as they relate to navigating English society as a woman of color—are strengths that can obscure uncomfortable feelings. Thanks to a selfish, absentee father, an unconventional mother, and, she now realizes, a partner who never encouraged her to grow as a person, Laurie puts her own desires last. Giving the novel an expanded palette beyond the romance, Laurie’s friendship with Jamie is just one of several changes in behavior and attitude that help her to regain a sense of her own agency and importance. McFarlane’s gift is writing romantic comedy that depicts a recognizable world—in this case, the culturally diverse world of young professionals in Manchester, England—without dimming the luster of shining moments of humor, love, and connection.
McFarlane has created a very funny, very romantic story with deep emotional impact.Pub Date: March 24, 2020
ISBN: 978-0-06-295850-1
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...
The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.
In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.Pub Date: Aug. 20, 2013
ISBN: 978-0-670-02661-6
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Like a popcorn action flick: fun but lacking in substance.
Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).
Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.
Like a popcorn action flick: fun but lacking in substance.Pub Date: Feb. 25, 2020
ISBN: 978-1-4926-9775-6
Page Count: 384
Publisher: Sourcebooks Casablanca
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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