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PAGAN TIME

AN AMERICAN CHILDHOOD

As in all memoirs of any depth, the answers here are bound to be both yes and no, but for some reason this ambivalence seems...

A somewhat precious account of a run-of-the-mill bohemian childhood, by novelist Perks (We Are Gathered Here, 1996).

“The time of my childhood was the nineteen sixties,” begins the author, who immediately seeks to stifle all nascent yawns by admitting, “I know what you’re thinking—marijuana, free love, Woodstock and Watts and Vietnam.” Her 1960s were different (in the first place, she was too young at the time for sex or drugs), but they still conform in a general way to the pattern of the era. Her family lived in a remote town in the Adirondacks, where her parents were involved in the experimental Valley Commune School, which was part commune, part halfway home for disturbed adolescents. Her mother was from Brooklyn, her father from England. Jovial and well-read, they were not hippies exactly, but they had both dropped out of society to some degree—and they certainly didn’t run a very tidy ship, either. Lessons were erratic, sometimes quite advanced, and often overlooked altogether. The author was sent for some time to the much more conventional local public school, where she found herself predictably out of sorts among classmates used to the daily routine and boredom of ordinary school life. For a while the entire family was taken back to England with Dad, who settled them for a while in Devon. Back in the States a few years later, the father becomes very involved in Buddhism. Eventually, the author grows up. As an adult, Perks doesn’t know what to make of her childhood or her parents. Does she resent them or love them? Was she neglected or lucky?

As in all memoirs of any depth, the answers here are bound to be both yes and no, but for some reason this ambivalence seems to go farther than usual in Perks’s case—to the point that her story begins to seem as pointless to the reader as it does to the author herself.

Pub Date: Sept. 30, 2001

ISBN: 1-58243-147-7

Page Count: 160

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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