Sympathetic yet bracing advice for authors from a fellow writer.
A successful indie author and book marketing consultant outlines how writers can be resilient after rejections in this self-help guide.
Accept rejection and then transcend it. That’s the running theme in this work by Alvear (Blow Yourself Away, 2016, etc.), who shares his insights about the “mental toughness” that has allowed him to survive—indeed thrive (he says he makes six figures annually)—in book publishing as compared with many other authors. He allows for a “48-hour sulking period” because it’s important not to deny the pain of a rejection but stresses that brooding should be short-lived. He emphasizes that publishers somewhat randomly reward and rebuff authors (pointing out some notable mistakes, such as snubbing J.K. Rowling) and that the anxiety after rejection stems from a primitive brain trigger of feeling kicked out of the tribe. He recommends quickly connecting to one’s particular clan (family, supportive friends) to counter this hard-wiring and then engaging in the “1-2-3 Combo” of distraction by doing something pleasurable; staying silent about the rejection for two weeks; and distancing oneself from the situation, viewing it as an observer. This depersonalization technique should help an author transition to positive action, such as attending a writers’ workshop, instead of just wallowing in self-pity. The volume also covers challenges beyond submission rejections, particularly negative reviews, noting their upsides, including that readers can be intrigued enough by these to buy the book. In his new advice guide, Alvear is a voice of commiserating authority, revealing his own struggles (his agent couldn’t sell his manuscripts after the economic downturn, for example) while providing helpful psychological strategies to handle setbacks and the black holes of rumination and self-blame. While writers may not like hearing that rejections will keep coming and friends, not they, may capture “white rhino success,” Alvear provides an inspiring, empowering message. His final exhortation remains particularly uplifting: “Be true to your nature as a creative being: Create without regard to the results.”
Sympathetic yet bracing advice for authors from a fellow writer.Pub Date: Dec. 16, 2016
ISBN: 978-0-9977724-4-9
Page Count: 202
Publisher: Woodpecker Media
Review Posted Online: Dec. 28, 2016
Kirkus Reviews Issue: Feb. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Proves without a doubt that even masters of the universe sometimes lose their heads, and then their shirts.
Knowing inside account of the major media conglomerates’ efforts to embrace and profit from the ’90s dot.com boom.
As the New York Post’s first computer/Internet columnist, Motavalli had a ringside seat while Disney, Time Warner, News Corp., and others tripped over themselves to get on board the emerging Internet phenomenon. With little certainty about what the successful and manageable applications of the World Wide Web would be, media corporations and their leaders nonetheless rushed to spend hundreds of millions of dollars so as not to get left behind. They helped create the dot.com bubble of inflated salaries and unlimited expectations that burst so mercilessly in 2000–01. Motavalli, who admits being swept up like everyone else in the initial euphoria, narrates with an intimate feel for the year-by-year developments: the promises and glorious optimism of a dawning technological age, the maneuvering moguls and CEOs, the media executives who doubled their income by switching to the dot.com start-ups, and the chilling reality bath that awaited all. AOL’s Steve Case, Time Warner’s Bob Pittman and Gerald Levin, John F. Kennedy Jr. of George, Time magazine’s Walter Isaacson, and iVillage’s Candace Carpenter are among the many prime movers whose trajectories are analyzed here. Some big winners emerge (AOL, Amazon, eBay, Yahoo), but more common is the fate of one Internet-related stock that fell from $150 to just $3 per share. Motavalli sees this not solely as a tale of greed and ambition run wild, but a telling parable of the herd mentality; when it appears the wheel has been reinvented, everyone wants to go along for the ride, even though the ultimate destination is unknown. Well-researched and dense with names, dates, meetings, and numbers, the author’s recollections may provide more information than most will be willing to download, but he convincingly captures the boardroom machinations of this extraordinary era.
Proves without a doubt that even masters of the universe sometimes lose their heads, and then their shirts.Pub Date: Aug. 5, 2002
ISBN: 0-670-89980-1
Page Count: 336
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2002
A hilarious, collectively appealing index of words and pictures drawn with wry exuberance and a head-nodding relevancy.
Beloved New Yorker cartoonist shares an alphabetized listing of life’s little irritants.
Veteran illustrator and humorist Chast (Too Busy Marco, 2010, etc.) has crafted a colorful career from parodying unsavory situations and maladies alongside the happenstances of the human condition. To truly enjoy her nimble pen and watercolor sketches, readers must be willing to laugh at their own harmless foibles. In the charming introduction, the author admits to being a life-long “anxious person,” a chronic insomniac who is “genetically inclined to worry,” and she brilliantly plays this personal shortcoming to maximum comical effect with the jagged line-drawing style and ironical wit that have become her trademarks. From the unsettling possibility of waking up during general anesthesia to the offbeat catastrophes of “Jell-O 1-2-3” and spontaneous human combustion, the author presents an A-to-Z catalog of distressing concerns and her unique take on “what might funny about them.” Chast prefaces each pictorial with a short, personal preamble describing what it is about each subject that has become so bothersome for the apprehensive author. She lightheartedly exposes the inconvenient nuisance of nightmares and beach undertows, the unknown consequences of Ouija boards and the wincing “imminent explosion” of annoying balloons. Chast doesn’t have much use for assumptive doctors, quicksand or carnivals, either (they’re “particularly awful at night”). Her takes on vision loss (“the girl who sat too close to the TV”), “mysterious” dental tools and the dark sides of the color yellow are sure to elicit knowing chuckles. With realistic, tongue-in-cheek foresight, the author spotlights a selection of the most commonplace, phobia-inducing situations (elevators, air travel, heights, etc.) and defuses them with brilliantly dry, flippant humor.
A hilarious, collectively appealing index of words and pictures drawn with wry exuberance and a head-nodding relevancy.Pub Date: Oct. 11, 2011
ISBN: 978-1-60819-689-0
Page Count: 64
Publisher: Bloomsbury
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
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