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IN PLAIN SIGHT

OBSESSION, MORALS AND DOMESTIC LAUGHTER

From poet/essayist Anania: well-honed essays, many reprinted from Chicago Magazine or The Chicago Tribune, that touch upon a variety of topics—including the American automobile, the best way to choose a tie, and the literary output of Spiro Agnew. Anania's novel The Red Menace (1984) demonstrated an intensely evocative sense of place. Here, he is at his best when writing about his hometown of Chicago, which he sees as a quintessential American city of mythic proportions. Thus, in ``Mike Royko's Rules for Living,'' his critique of a collection of articles by the Chicago newsman, Anania takes us to a bar where the regulars, while staring down outsiders, disagree with everything Royko writes but can't stop talking about him. In ``Excesses and Boondoggles'' and ``Breweries and Bad Guys,'' he gives us an explication of Chicago's reputation for corruption. Even in an extended discussion of modern American poetry (``Poetry, the Remarkable Thing Is That There's So Much of It''), the grittiness of Chicago plays a role when a pre- glasnost Soviet writer visits the dusty office of a small literary press and is puzzled by the enormous piles of poetry magazines with minimal circulations. Among the other literary essays—some published as long as 15 years ago, but still fresh for their lively style—tributes to Cyril Connolly and A.J. Liebling stand out. Different readers will have different favorites, but the description of an encounter group for men who are obsessed with their ties (``The Ties That Bind'') deserves a prize of some sort.

Pub Date: Jan. 1, 1992

ISBN: 1-55921-046-X

Page Count: 252

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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