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QUALIA NOUS

An accomplished collection of masterfully crafted horror from some of the genre’s finest practitioners.

Bailey (Chiral Mad, 2013, etc.) edits this sci-fi/horror anthology of fiction and poetry.

In his introduction to this anthology, Bailey grimly ruminates on the nature of the potential immortality of art, even as its creators are condemned to eventual annihilation: “Every author in Qualia Nous will die. Yes, that is blunt, and a horrifying thought, but their words and the worlds they have created will survive (perchance in the infinite).” The liminal space between the infinite and the finite is much on the mind of the writers contained within this volume, including heavy hitters of the genre such as Stephen King, Gene O’Neill, Lucy A. Snyder, Richard Thomas, Jason V. Brock, James Chambers, Pat R. Steiner, and John Everson. With 25 stories, two poems, and four novelettes, the tome is a dense compendium of psychological horror rooted in the realm of hard sci-fi. The anthology offers a particularly literary-minded selection from the genres, with pieces that blend character study and emotionally complex narrative with plot-and-suspense-driven premises. The work is of a uniformly high quality, with particular standouts from Richard Thomas, Rena Mason, and Patrick Freivald. The best piece, perhaps, is “The Vaporization Enthalpy of a Peculiar Pakistani Family” by relative newcomer Usman T. Malik. Tara, a woman with a secret power, watches as first her family and then her city are pulled apart by violence and hate. As the terror piles up, the Beast inside of her whispers, “This is death, this is love, this is the comeuppance of the two, as the world according to you will finally come to an end.” The destructive otherworldly power possessed by Tara and her brother becomes a metaphor for humanity’s capacity for destruction in modern Pakistan—but also for humanity’s capacity for forgiveness. In addition to steeping readers in sci-fi dread, much of the work in the collection comments on the social, natural, and technological ills of the modern world, reaffirming the important role speculative literature can play in reframing the cultural dialogue.

An accomplished collection of masterfully crafted horror from some of the genre’s finest practitioners.

Pub Date: Aug. 31, 2014

ISBN: 978-0578146461

Page Count: 448

Publisher: Written Backwards

Review Posted Online: April 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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