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STAINED GLASS

Bedard (Painted Devil, 1994, etc.) returns again to the Canadian town of Caledon for an understated foray into magical realism. Fourteen-year-old Charles is quiet and introspective, with the deliberate fragility of not-quite-healed. In a rundown church, Charles witnesses an accident that shatters one of the ancient stained-glass windows, and discovers a homeless teenage girl bleeding in a pew, apparently a victim of amnesia. This small incident engenders his obsession with helping the strange girl find her way home. Their surreal journey through the town triggers Charles’s cascading memories of his childhood. Meanwhile, the church’s caretaker works frenetically to piece together the shards of the broken window, accompanied by memories of his own past. Although the sources of Charles’s own wounds are eventually revealed, and the girl’s mysterious origins strongly suggested, there is very little story here. Instead, there is a series of finely etched observations and lapidary musings on the nature of memories, how fragments of the past persist to make up the pattern of our individual selves. Bedard’s language is evocative and poetic, rich in metaphor and symbol. Events unfold with a dream-like logic, as the miraculous is made matter-of-fact, while ordinary objects take on outsized significance. Not for everyone, or even for most, but a small gem awaiting the special reader. (Fiction. 11-15)

Pub Date: Nov. 1, 2001

ISBN: 0-88776-552-1

Page Count: 360

Publisher: Tundra Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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FACTS OF LIFE

STORIES

A young man who unwittingly helps a punk steal an elderly couple’s television in the first story sets the somewhat uneasy tone for this collection. While glimpses of Soto’s characteristic humor and charm appear in later stories, many of these tales focus on less-than-comfortable events and experiences. There’s a girl whose tattooed and pierced babysitter dyes her younger brother’s hair orange and green, a fact sure to enrage their mom when she eventually finds out; a child who is achingly aware of the enmity of anti-war protesters and simultaneously proud of her immigrant parents’ efforts to improve their lives; and a sad young boy whose painfully polite parents have frozen him out of the family without apparently meaning to do so. Each situation is distinct, clearly drawn and immediate. Soto presents his characters with sometimes insurmountable challenges, but he limns their lives with such vivid descriptions and insights that readers will be left wondering how things work out—and wishing for the best. (Fiction. 11-14)

Pub Date: May 1, 2008

ISBN: 978-0-15-206181-4

Page Count: 192

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2008

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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