A heartening, honest portrait of public education and generational responsibility.
A lively novel about the trials and tribulations of teaching in the 21st century.
Mitchell Munson, known lovingly as Mr. Mumbles, is a teacher who has sharpened too many pencils and erased too many blackboards to tell lies. His passion for teaching is very much intact after decades of instruction, but he knows the score and doesn’t pretend he can’t see his tiny role in the great social sift. This witty, sardonic but never cynical approach to education and society is evidenced in his playful inner-monologues and the incessant discursive dialogues on topics from the movie Titanic to intellectualized fodder like the “American Meritocracy.” Like the best students, Mumbles still questions. Coach Jackson is, as befitting his station, more methodical and strategic in his approach to teaching and life. His simple vision of social progress is analogized in his relationship to basketball, a sport he believes has progressed and evolved into a superior form over the 20th century–a sport which has charted America’s obsession with perfection but also its disappointing civil relationships. The game, he concludes, is better than it was 50 years ago–though he’s quite certain Jerry West would have held his own in a modern game. Mumbles and Jackson, more than being a simple odd couple, are more the split-protagonists of the novel. They represent complementary and often contradictory attitudes, but their dialectic may be essential in rearing a generation capable of navigating the future. An epistolary subplot develops after Jackson finds letters his mother penned during his father’s service in the World War II. These elements aren’t always set as elegantly in the broader narrative as could be, but the letters are so compelling–even heartbreaking–that is likely due to all the rhetorical ground Bennett wants to cover. Still, Mumbles and Jackson’s friendship makes the novel memorable and satisfying.
A heartening, honest portrait of public education and generational responsibility.Pub Date: March 4, 2009
ISBN: 978-0-578-00804-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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