by Michael Blake ‧ RELEASE DATE: Nov. 1, 1996
A dazzling depiction of George Armstrong Custer on the way to his rendezvous with death at the Little Bighorn, from the author of Dances with Wolves (not reviewed). The resonant narrative is cast in the form of a first-person journal kept by the martial wunderkind during the period from May 18 through the morning of June 25, 1876. Ordered by the War Department to lead a force of mounted troops against Sioux and other tribes resisting settlement on government reservations, Lieutenant Colonel Custer reflects on the almost constant conflicts of a checkered past and on his uncertain future. While pondering the campaign on which he's embarked, Custer recalls the glory of his Civil War service, the bitterness of occupation duty in a conquered South, and the cutbacks in America's military that reduced him in rank from a brevet major general to captain. The seasoned field commander remembers his comeback (when the Seventh Cavalry Regiment was organized) and the subsequent disgrace of a one-year suspension from the Army (for being absent without leave). The deterministic Custer reminisces as well about his instant redemption as victor over a large band of Cheyenne in a bloody midwinter engagement on the banks of the Washita River. He goes on to review his running battles with corrupt federal agencies and exasperation with elected officials who continuously changed national policy on Plains Indians. An affecting love story also runs through the uxorious warrior's autobiographical musings, one that details the abiding spiritual devotion he and his wife Libbie have for each other. Custer cherishes honor and glory at least as much as love, however, and at the close he marches out to embrace his as yet unknown fate on a summer's morn in the wilds of Montana. A tour de force that sympathetically brings one of American history's more intriguing heroes vividly to life on the eve of his destruction. (Film rights to New Line Cinema; author tour)
Pub Date: Nov. 1, 1996
ISBN: 0-679-44864-0
Page Count: 304
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
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