by Michael Burns ‧ RELEASE DATE: Sept. 11, 1991
In 1894, at age 35, Captain Alfred Dreyfus, officer, father, and husband, enjoying success after many years of study, devotion, and discipline, was unaccountably arrested for high treason and thereby became a symbol—as victim to some and traitor to others— of the imperfections in French military justice and the precarious position of Jews in French society. Now, after at least a thousand studies, novels, plays, and films of what came to be known as ``the Dreyfus affair,'' Burns (History/Mt. Holyoke) offers perhaps the first comprehensive study of Dreyfus the man, and of his family. The Dreyfus family history is typical of French Jews. Culturally assimilated after Jews were emancipated by the Edict of 1791, the Dreyfuses found financial opportunity in industry (textiles) and social status in the military, where young Alfred's intelligence, discipline, and methodical nature were rewarded with promotions, an appointment in Paris, and his marriage to a wealthy young Jewess, Lucy Hadamard. Without warning and without cause, however, he was arrested for treason on the basis of an unsigned document in someone else's handwriting, convicted in an irrational judicial process (he believed his crime was being a Jew), publicly humiliated, and deported to Devil's Island, where he spent five years in solitary confinement before his brother won his freedom with the confession of the true spy. Knighted in 1906, Dreyfus championed various working-class causes, served along with his son in WW I, and lived to see the scandal revived in the anti-Semitism of the 30's, finally dying in 1935, having outlived nearly everyone else involved in the affair. Because he was so undemonstrative—he ``lived,'' as his son said, an ``intense interior life''—Dreyfus remains inscrutable, even as the focus of such a carefully documented and analyzed study as this. And with minimal theorizing and offering little cultural context, the virulence of the anti-Semitism that trapped Dreyfus remains unexplained, as does his failure—refusal?—to become the martyr his followers wanted him to be. (Sixteen pages of b&w photos—not seen.)
Pub Date: Sept. 11, 1991
ISBN: 0-06-016366-6
Page Count: 576
Publisher: HarperCollins
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: July 1, 1991
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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