Adventurous, thought-provoking, fast-paced, and subtly hilarious—in short, a delight to read.
Cantwell (My Friend Casey, 2015, etc.) offers a children’s story of a courageous mouse’s journey to Mars that’s part adventure and part political satire.
A mouse named Max has an owner, Melissa, who treats him kindly and trains him well, and in time, he becomes quite intelligent. But one day, his curiosity gets the best of him, and he escapes through the backyard fence and becomes lost in the city. He finds a group of friendly mice and soon becomes their leader, first directing them out of the dangerous city into the forest and then from the dangerous forest to Mars by balloon. But although the environment of the great red planet seems conducive to their survival, its inhabitants, unfortunately, are not. Robotic mice immediately take Max and his friends captive, and the mechanical royal family sentences them to be executed. The pretentious Princess Bling Bling, however, takes a liking to Max, and after sharing with him the history of her people on Mars, she offers to keep him alive—as her pet. But Max, concerned about his friends, tries to find a way to save them and escape the clutches of the dangerous Mars mice. The book teaches kids about the importance of caring for the environment and the danger of letting technology run one’s life. This is mainly shown through the history of the robotic mice; they were preceded by the Monkey People (symbolic of humans), who were destroyed by laziness and environmental abuse, and the Computer People (symbolic of technology), who eventually destroyed one another. The book also features unique, lovable characters and a quirky sense of humor; adults will get a kick out of Senator Blabbermouth, who keeps a hot air balloon afloat with rambling speeches full of “hot air”: “I promise you free cheese, chocolates for dessert, no taxes...blah, blah, blah.” The book also provides a secondary story about Melissa that’s brilliantly woven throughout Max’s tale. The charming illustrations effectively highlight major events and match the text’s silly tone.
Adventurous, thought-provoking, fast-paced, and subtly hilarious—in short, a delight to read.Pub Date: Dec. 14, 2016
ISBN: 978-1-5320-0944-0
Page Count: 108
Publisher: iUniverse
Review Posted Online: May 10, 2017
Kirkus Reviews Issue: July 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.
After being murdered and inexplicably reborn, a heavy metal musician sets out on a journey of self-discovery with nothing short of the future of humankind at stake in the first installment of Sanderson and Orullian’s Strata Wars saga.
Jack Solomon is not having a good day. After moving to London from the mean streets of Los Angeles and starting a metal band called the Hounds of Winter, he’s been kicked out of the group just weeks before they’re scheduled to open for Black Sabbath at Wembley Stadium. While Jack is walking with his good friend Henry Wilkinson—a father figure of sorts who has mentored Jack over the years and owns the music venue the Iron Horse—they are both shot and (seemingly) killed. Then Jack regains consciousness and finds himself in a hellscape with a massive mountain of fire in the distance and countless human statues everywhere. After Henry appears in the vision, telling Jack, “You’ve got more to do,” Jack awakens in front of Henry’s flat, unharmed but covered in blood. With Henry’s body missing, Jack begins to understand his new reality: He’s a thanatist (don’t call him a necromancer) and Henry’s venue hides an entrance to the Strata—“several long periods of London history that have coalesced to form layers of the past.” The Strata are inhabited by gruesome creatures and millions of memories, and Jack discovers that someone wants to take over the Iron Horse, with its staircase to every level of the Strata, and begin a revolution where music (curated by a madman) can change the future of humanity. The many shoutouts to legendary bands notwithstanding, this novel is powered by two elements: the exceptional worldbuilding of the subterranean Strata, whose potential is virtually limitless; and Jack’s deeply personal healing journey, which includes forgiving others—like his mother, who abandoned him—and himself. Jack’s story arc is comparable to his adventures in the Strata: The deeper he descends into the Strata, the deeper he delves into himself.
A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.Pub Date: June 16, 2026
ISBN: 9781668068144
Page Count: 464
Publisher: Saga/Simon & Schuster
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
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