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THE ASTRONAUT MAKER

HOW ONE MYSTERIOUS ENGINEER RAN HUMAN SPACEFLIGHT FOR A GENERATION

Space-program aficionados will gobble the details like snack chips, and all should be grateful to see Abbey, a deserving...

A highly detailed history of the American space program focusing on the contributions of George Abbey (b. 1932), who held various key administrative positions at NASA.

Cassutt—a TV screenwriter and producer who has written extensively about the space program (fiction and nonfiction), including co-authoring the autobiographies of notables like astronaut Thomas Stafford (We Have Capture, 2002, etc.)—returns with a biography of Abbey that also serves as a history of the enterprise. The combined biographical material would probably fill only a chapter or so—we learn about Abbey’s background, marriage, children, and divorce, the causes of which the author doesn’t discuss—for Cassutt is principally interested in Abbey’s role(s) in NASA, which were considerable. He selected astronauts, organized the various offices around him, and displayed a phenomenal memory. He was a workaholic who earned the respect, if not always the affection, of his co-workers. (Cassutt, however, offers few discouraging words about him.) The text is consistently rich in detail, sometimes overly so. Cascades of names, abbreviations, dates, and events wash over us; as they do, our admiration for Cassutt’s knowledge and research increases as our ability to swallow it declines. He has few unkind words for anyone—though one iconic figure who does endure some disparagement is test pilot Chuck Yeager. In chronological fashion, the author takes us from Sputnik to the present, and he discusses all the grand achievements (moon landing, 1969), failures (Challenger, 1986; Columbia, 2003), and in-between moments. We get to know a bit about the astronauts’ personalities and politics, and we see Abbey’s evolving efforts to be more inclusive in the selection of personnel. As the director of the Johnson Space Center in the 1990s, “he was in charge of twenty thousand civil servants and contractors not only Houston, but in locations such as White Sands.”

Space-program aficionados will gobble the details like snack chips, and all should be grateful to see Abbey, a deserving man, step out from the shadows.

Pub Date: Aug. 15, 2018

ISBN: 978-1-61373-700-2

Page Count: 512

Publisher: Chicago Review Press

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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