by Michael Chin ‧ RELEASE DATE: Sept. 7, 2021
An earnest but flat coming-of-age novel.
In Chin’s debut literary novel, a second-generation Chinese American college student shares his experiences growing up in upstate New York.
Billy Chen was raised in conservative Shermantown, New York, where his heritage made him the target of bullying. “I’m half-Chinese,” explains Billy, “but in a place as white as Shermantown, there’s no room for hyphens and halfways. I was other.” His grandfather opened the first Chinese restaurant in Shermantown, where his father was also born. Still, Billy came of age feeling like an outsider. He tells, for example, of harboring a yearslong crush on Valerie Foster, a high-achieving White girl, despite the fact that she expressed racist views in his presence. He recounts his friendship with Mexican American Ricky Soberanes, whose family owned the restaurant next door to Billy’s grandfather’s. Billy also tells of shoplifting from a sporting goods store with a gang of friends called the Boil Crew—a name referring to a chemistry-class experiment gone awry. He struggles with his relationship to his mother, a chronically depressed White woman, and with the expectations that others thrust upon him. Most of all, he wonders if Shermantown was a good or bad place for him to grow up. Billy narrates this story as a student at an unnamed college,where he’s started to take classes tackling sociology and race, and where he lives down the hall from one of the White boys who once tormented him. He addresses his recollections to the girl he’s now dating: a complex young woman whose notable sensitivity helps Billy explore his own. For the first time, he feels like he’s found a place where he belongs—but he still wonders if he truly knows himself.
Chin’s prose is smooth and clean, written in a gentle, intimate tone befitting its framing device. The reader can imagine it as a story delivered across a dorm room late at night, during an extended moment of vulnerability: “I know it bugs you that I go on about Valerie….I mention her because she’s a part of me. A stupid part of me that was more in my head than any part of my life that anyone else could see.” Billy’s memories explore not only incidents of racism and the immigrant experience in America, but also issues of class, consent, homophobia, mental health, and sexual assault. However, the story plods along without the momentum that one might expect from a lengthy confessional account. The problem isn’t that Chin touches on so many fraught and topical issues, or even that he does so without weaving them naturally into a larger narrative. It’s more that the novel is so highly essayistic—driven by themes, rather than by a traditional, incident-driven plot—that the reader expects the conclusions that Billy reaches to be deeper, more emotionally complex, or more original. Instead, it offers few surprises. Billy’s girlfriend, like the reader, may have a rounder sense of who the protagonist is by the end, but he’s still more or less the same as he was at the beginning.
An earnest but flat coming-of-age novel.Pub Date: Sept. 7, 2021
ISBN: 979-8472913669
Page Count: 251
Publisher: Independently Published
Review Posted Online: Oct. 20, 2021
Review Program: Kirkus Indie
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BOOK REVIEW
by Michael Chin
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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New York Times Bestseller
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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30
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
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