by Michael Chin ‧ RELEASE DATE: Sept. 7, 2021
An earnest but flat coming-of-age novel.
In Chin’s debut literary novel, a second-generation Chinese American college student shares his experiences growing up in upstate New York.
Billy Chen was raised in conservative Shermantown, New York, where his heritage made him the target of bullying. “I’m half-Chinese,” explains Billy, “but in a place as white as Shermantown, there’s no room for hyphens and halfways. I was other.” His grandfather opened the first Chinese restaurant in Shermantown, where his father was also born. Still, Billy came of age feeling like an outsider. He tells, for example, of harboring a yearslong crush on Valerie Foster, a high-achieving White girl, despite the fact that she expressed racist views in his presence. He recounts his friendship with Mexican American Ricky Soberanes, whose family owned the restaurant next door to Billy’s grandfather’s. Billy also tells of shoplifting from a sporting goods store with a gang of friends called the Boil Crew—a name referring to a chemistry-class experiment gone awry. He struggles with his relationship to his mother, a chronically depressed White woman, and with the expectations that others thrust upon him. Most of all, he wonders if Shermantown was a good or bad place for him to grow up. Billy narrates this story as a student at an unnamed college,where he’s started to take classes tackling sociology and race, and where he lives down the hall from one of the White boys who once tormented him. He addresses his recollections to the girl he’s now dating: a complex young woman whose notable sensitivity helps Billy explore his own. For the first time, he feels like he’s found a place where he belongs—but he still wonders if he truly knows himself.
Chin’s prose is smooth and clean, written in a gentle, intimate tone befitting its framing device. The reader can imagine it as a story delivered across a dorm room late at night, during an extended moment of vulnerability: “I know it bugs you that I go on about Valerie….I mention her because she’s a part of me. A stupid part of me that was more in my head than any part of my life that anyone else could see.” Billy’s memories explore not only incidents of racism and the immigrant experience in America, but also issues of class, consent, homophobia, mental health, and sexual assault. However, the story plods along without the momentum that one might expect from a lengthy confessional account. The problem isn’t that Chin touches on so many fraught and topical issues, or even that he does so without weaving them naturally into a larger narrative. It’s more that the novel is so highly essayistic—driven by themes, rather than by a traditional, incident-driven plot—that the reader expects the conclusions that Billy reaches to be deeper, more emotionally complex, or more original. Instead, it offers few surprises. Billy’s girlfriend, like the reader, may have a rounder sense of who the protagonist is by the end, but he’s still more or less the same as he was at the beginning.
An earnest but flat coming-of-age novel.Pub Date: Sept. 7, 2021
ISBN: 979-8472913669
Page Count: 251
Publisher: Independently Published
Review Posted Online: Oct. 20, 2021
Review Program: Kirkus Indie
Share your opinion of this book
More by Michael Chin
BOOK REVIEW
by Michael Chin
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Share your opinion of this book
More About This Book
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Share your opinion of this book
More by Fredrik Backman
BOOK REVIEW
by Fredrik Backman translated by Neil Smith
BOOK REVIEW
BOOK REVIEW
by Fredrik Backman ; translated by Neil Smith
More About This Book
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.