by Michael Chin ‧ RELEASE DATE: Sept. 7, 2021
An earnest but flat coming-of-age novel.
In Chin’s debut literary novel, a second-generation Chinese American college student shares his experiences growing up in upstate New York.
Billy Chen was raised in conservative Shermantown, New York, where his heritage made him the target of bullying. “I’m half-Chinese,” explains Billy, “but in a place as white as Shermantown, there’s no room for hyphens and halfways. I was other.” His grandfather opened the first Chinese restaurant in Shermantown, where his father was also born. Still, Billy came of age feeling like an outsider. He tells, for example, of harboring a yearslong crush on Valerie Foster, a high-achieving White girl, despite the fact that she expressed racist views in his presence. He recounts his friendship with Mexican American Ricky Soberanes, whose family owned the restaurant next door to Billy’s grandfather’s. Billy also tells of shoplifting from a sporting goods store with a gang of friends called the Boil Crew—a name referring to a chemistry-class experiment gone awry. He struggles with his relationship to his mother, a chronically depressed White woman, and with the expectations that others thrust upon him. Most of all, he wonders if Shermantown was a good or bad place for him to grow up. Billy narrates this story as a student at an unnamed college,where he’s started to take classes tackling sociology and race, and where he lives down the hall from one of the White boys who once tormented him. He addresses his recollections to the girl he’s now dating: a complex young woman whose notable sensitivity helps Billy explore his own. For the first time, he feels like he’s found a place where he belongs—but he still wonders if he truly knows himself.
Chin’s prose is smooth and clean, written in a gentle, intimate tone befitting its framing device. The reader can imagine it as a story delivered across a dorm room late at night, during an extended moment of vulnerability: “I know it bugs you that I go on about Valerie….I mention her because she’s a part of me. A stupid part of me that was more in my head than any part of my life that anyone else could see.” Billy’s memories explore not only incidents of racism and the immigrant experience in America, but also issues of class, consent, homophobia, mental health, and sexual assault. However, the story plods along without the momentum that one might expect from a lengthy confessional account. The problem isn’t that Chin touches on so many fraught and topical issues, or even that he does so without weaving them naturally into a larger narrative. It’s more that the novel is so highly essayistic—driven by themes, rather than by a traditional, incident-driven plot—that the reader expects the conclusions that Billy reaches to be deeper, more emotionally complex, or more original. Instead, it offers few surprises. Billy’s girlfriend, like the reader, may have a rounder sense of who the protagonist is by the end, but he’s still more or less the same as he was at the beginning.
An earnest but flat coming-of-age novel.Pub Date: Sept. 7, 2021
ISBN: 979-8472913669
Page Count: 251
Publisher: Independently Published
Review Posted Online: Oct. 20, 2021
Review Program: Kirkus Indie
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BOOK REVIEW
by Michael Chin
by Mitch Albom ‧ RELEASE DATE: Oct. 7, 2025
Have tissues ready as you read this. A small package will do.
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New York Times Bestseller
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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by Mitch Albom
BOOK REVIEW
by Mitch Albom
BOOK REVIEW
by Mitch Albom
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Jan. 18, 2022
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
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IndieBound Bestseller
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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